Dorothea Tanning remarked on her childhood in Galesburg, Illinois that nothing happened but the wallpaper, however everything, even wallpaper, is grist to the true artists mill and she succeeded during her long and incredibly productive life to create memorable works set in conventional domestic spaces filled with mystery, confrontation and revelation.
Family Portrait was painted in Sedona, Arizona, where Tanning lived with her husband Max Ernst for part of every year until they moved to France permanently in 1957 . The painting is dominated by the huge father (or husband) figure wearing sinister mirrored round glasses in the background. The size of each figure seems entirely dependent on their status within the family group. The perky daughter (or wife) with her large and expressive eyes sits level at the table with its crisp linen and strange dishes, dwarfing the housekeeper who is little bigger than the small dog on its hindquarters begging for its dinner. The muted colours add to the ominous and oppressive atmosphere. Family Portrait is a suburban Gothic drama of hidden tensions and Wonderland-like changes in scale that lingers unnervingly in the memory.