Samuel Taylor Coleridge was one of the leading figures of the first generation of English Romantics writers, along with Wordsworth and William Blake. An influential critic he was first to advance the idea of ‘the willing suspension of disbelief’ as a necessary component for the aesthetic enjoyment of certain types of art and literature. He was also injected the heady idealism of German Romanticism to British literature. However his best remembered for two extraordinary poems, The Rime of the Ancient Mariner and the fragmentary Kubla Khan.
Subtitled A Vision in a Dream: Kubla Khan is perhaps as well known for the manner of its composition as the actual poem. Coleridge relates in the introductory preface that after falling into an opium induced sleep while reading a book about Kubla Khan he experienced a astonishingly vivid dream that formed into a entire poem of about two or three hundred lines. Upon awaking the poem he retained the lines and set about writing them down exactly as is. After he completed 54 lines he was interrupted ‘by a person from Porlock’ (a nearby village in Somerset) who wished to discuss some unspecified business. Upon his return to his desk Coleridge discovered that the vision and the poem had disappeared, never to be recaptured.
Given the manner of composition, it is hard not to see Kubla Khan with its lushly sensual and opiated imagery as a proto-surrealist work. It certainly seems to prestige the darker strains of romanticism that would dominate as the 19th Century progressed.
Kenneth Anger’s cult movie Inauguration of the Pleasure Dome(clip included in the link) is obviously inspired by Coleridge, and one version that was screened on German TV in fact included a recitation of the poem at the start of the movie. This baroque psychedelic (and very camp) movie is a re-creation of Crowleyite ceremony that involves Anger, The Scarlet Woman herself Marjorie Cameron, Curtis Harrington and other members of the LA occult scene getting off their tits whilst on acid. Oh and for some inexplicable reason Anais Nin sports a birdcage as headgear.
Or, a vision in a dream. A Fragment
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise.
S.T Coleridge 1816