Alfred Hitchcock’s horror movie The Birds from 1963 is very loosely based on Daphne Du Maurier’s novella of the same name. Hitchcock’s first American film and international success had been an adaption of her Gothic melodrama Rebecca, and later Nicholas Roeg would adapt du Maurier’s eerie story Don’t Look Now, which became a staple on the late-night movie circuit in the 70’s.
du Maurier’s original story is more concerned with the revenge of nature, exemplified by the suddenly hostile birds working in concert to punish humanity for its hubris and arrogance. As such it can be seen as a fore-bearer of a particularly English sub-genre of ecological apocalyptic fiction, John Wyndham, J.G Ballard and Anna Kavan all produced work in this vein.
Hitchcock told the screenwriter Evan Hunter to keep the central premise of unexplained bird assaults but to develop new characters and expand upon the plot. Given the end result it is hard not to see The Birds as a symbolic take on the ungovernable nature of female sexuality, in all its myriad forms.
The Birds centres on the character of Melanie Daniels (Tippi Hendren), a chic and irresponsible socialite who becomes a cuckoo in the nest when she impulsively follows love interest Mitch Brenner (Rod Taylor) to his home in the small coastal town of Bodega Bay, California with a pair of caged lovebirds in tow. Mitch is defined solely in relation to the women in his life; his overbearing and jealous mother Lydia (Jessica Tandy), his younger sister Cathy (Veronica Cartwright) and his ex, the local school teacher Annie Hayworth (Suzanne Pleshette). Soon after the birds begin to inexplicably attack the residents of the town, massing, with even birds of different species flocking together to launch aerial invasions. At one point a hysterical mother in the diner expressively connects the menacing behaviour of the birds with the arrival of Miss Daniels. Somehow her presence upsets a delicate balance, unleashing all the forces in nature inimical to humanity.
Below is a short clip of the school scene, a masterclass in suspense.
The Birds is my all time favorite Hitchcock film! (I wrote about it a while back in my tribute to Hitch.) I always thought of it as a stripping down of artifice. But I love your interpretation ” a symbolic take on the ungovernable nature of female sexuality, in all its myriad form.”
LikeLiked by 4 people
Thank you Christine, it would be my favourite as well (Vertigo would be a very close second). I will look for your post on Hitchcock, I can see the stripping away of artifice. As for my interpretation, not sure it is the correct one. Birds are commonly perceived as feminine, and indeed in slang women were called birds (in England) and chicks, so it just seemed a natural progression that Melanie Daniels in the movie unleashes her destructive sexuality that will also consume her. The way she interacts with the other women I think is important as well. Anyway glad you enjoyed.
LikeLiked by 2 people
Yours is a brilliant interpretation! Hitch himself was a bit fascinated and puzzled by the sexuality of women — as personified in his famous ‘Hitchcock Blondes’. A woman with a cool exterior, but tiger beneath the surface. Tippi Hedron was perhaps the the most iconic of them all!
LikeLiked by 2 people
Yes well blondes need only apply! Definitely had that attraction/repulsion thing with them. His blondes were indeed flawless. I always thought that Catherine Deneuve would have made a good Hitchcock blonde, she always seemed to bring out the sadist in her directors in her early days.
LikeLiked by 2 people
Ah, Catherine Deneuve would have been perfect! I wonder how she avoided that? Hmmm, that might be a topic for discussion…
LikeLiked by 1 person
Yes how did she? Well Polanski did the very Hitchcock Repulsion with her in it, and Bunuel cast her in Belle du Jour.
LikeLiked by 1 person
Maybe she was too busy with European directors and never got around to Hitch?
LikeLiked by 1 person
Maybe. Maybe she was too Gallic for Hitchcock.
LikeLiked by 1 person
Oh yeah. He said the French women were less interesting than the Anglo ones…
LikeLiked by 1 person
That is probably the reason but she seemed pretty mysterious to me.
LikeLiked by 1 person
She was brilliantly mysterious! I loved her in The Hunger, as well as other films. But all things considered, I’d venture to say Hitch wanted to avoid the French sensibilities…
LikeLiked by 1 person
True…I love The Hunger as well.
LikeLiked by 1 person
I saw this film when I was rather too young for it! Gave me nightmares for a long time. Nevertheless it’s a wonderfully terrifying film, Tippi is the quintessential Hitchcock blonde, and she named her daughter Melanie didn’t she?
LikeLiked by 2 people
She did indeed. It would be my favourite Hitchcock with Vertigo as well.
LikeLiked by 1 person
Yes, I love Vertigo – Kim and Jimmy. Also Rear Window is a favorite as well. Straight up entertainment!
LikeLiked by 1 person
Indeed he did it exceptionally well.
LikeLiked by 1 person
I watch this movie at least twice a year. It genuinely frightens me, as I have a legit fear of birds. Why I love this movie is beyond reason.
LikeLiked by 2 people
First cats and then birds, I am not having a lot of luck with my series. Beyond reason indeed but it is a great movie. I watch it a couple of times a year as well.
LikeLiked by 1 person
No luck with your series? The one about influential films, etc?
LikeLiked by 1 person
No I meant I did cats and you are allergic to cats and now birds who you have the fear of. Hmmm I should perhaps ask your advise for the next series.
LikeLiked by 1 person
Ooohhh! Gotcha. The plus is that I love cats, despite my allergy. And birds, they are beautiful, and I admire them. As long as they don’t get close to me. Once, I came home from work early afternoon to find a bird in my kitchen. I proceeded to have a nervous breakdown. The second time it happened, I died.
LikeLiked by 1 person
Well I am glad you have come back to life… birds really shouldn’t be indoors, not good for you, not good for them.
LikeLiked by 1 person
I had a parakeet when I was a teen–a surprise gift from my mother. What was she thinking?! LOL
LikeLiked by 1 person
Indeed what was she thinking
LikeLike
She was drunk a lot. 😕
LikeLiked by 1 person
Sorry it must be hard.
LikeLike
I’m losing my shit, to be honest. But I’m fucking tough.
LikeLiked by 1 person
You are. Well you have my thoughts.
LikeLike
❤❤
LikeLiked by 1 person
Cake, it’s been years since I’ve watched the movie. At the time, I was so enthralled with Hitchcock’s skill at creating suspense, I don’t recall seeing it as “a symbolic take on the ungovernable nature of female sexuality, in all its myriad forms.” I guess I’ll have to take another look at the movie with a more mature vision.
LikeLiked by 1 person
Hitchcock is brilliant and very very good at the suspense. I have watched it perhaps too much. I do think the suspense is paramount however I do think that my reading isn’t too far of the truth. But I could be wrong, I often am.
LikeLiked by 1 person
Such a great well-made movie. I watched it numerous times with my parents when I was younger.
LikeLiked by 2 people
It is a great movie. Thank you for the comment which are always appreciated.
LikeLike
a deeply look through the story, 🙂
LikeLiked by 1 person
Lovely comment… I am glad you liked and thanks for the loads of re-posts!
LikeLiked by 1 person
Reblogged this on lampmagician.
LikeLiked by 1 person
It’s also been years since I have seen this. I’ll have to view again with your filter in place.
The takeaway for me as I recall was one of profound sadness and alienation, alienation from the natural world, alienation within human relationships and finally within one’s own person.
I can’t find the reference but someone pointed out that Hitchcock modified the script to insert phrases such as ‘I see’ and ‘You see’ throughout the dialogue and that one of the metaphors embedded in the film is the lack of (in)sight (as the birds peck out the eyes of more than one character). No one really ‘sees’ at all.
It’s time to re-watch! Thanks for the reminder 🙂
LikeLiked by 1 person
My pleasure and thank you for your excellent insights… I will have to re-watch as well. The alienation from the natural world comes through, though I see also a profound fear of female sexuality which is identified with nature as well. It is a brilliantly disturbing movie.
LikeLiked by 1 person
The Birds; a grim step into the land of the macabre. haven’t watched this since I was a child. Thank you for a new perspective, Mr. Cake.
LikeLiked by 1 person
My pleasure… it is still a very powerful and macabre movie, though some of the special effects are dated. I aim to give food for thought, though my take on things is necessarily the only or even right one.
LikeLiked by 1 person
Visit my site on occassion.
LikeLiked by 1 person
I will indeed.
LikeLiked by 1 person
I plan to watch Hitchcock’s The Birds again, I did not recognize the symbolism before but your input puts a new slant on this movie. Thank you Mr. Cake.
LikeLiked by 1 person
I will wait for your take on my theory…I do think that Taylor is defined by his relationship with the women in his life and Tippi is undoubtedly the catalyst. In England a slang term for women is ‘birds’.
LikeLiked by 1 person
I will get back with my take on the symbolism of The Birds, your theory is fascinating and likely spot on. Yes, birds it is, and here, chicks.
LikeLiked by 1 person
Hitchcock was English…I always welcome dissent, my theories are just theories after all.
LikeLiked by 1 person
I will try to not be influenced, though your theory is interesting. I wish I had previously read du Maurier’s novella. I will get to that as well.
LikeLiked by 1 person
Her father was a novelist and he created Svengali. I envy you the first experience of reading her, definitely an original popular writer.
LikeLike
I am excited to read her work. Normally I read the classics, over and over but have been expanding my library to include genres less familiar.
LikeLiked by 1 person
I jump around a lot, my main criteria is imagination though. Never really been a realist which I find on the whole to be a bit limited.
LikeLike
I’ve been reading a few Indies that I really love . I recently read ICE and Marienbad, I am expanding my reads to include surrealism. My favorite classic is American Tragedy though. It’s the only book I’ve read where I sympathized with the protagonist ( a murderer) and I found that very disturbing but fascinating.
LikeLiked by 1 person
I love both those titles as I have written about both. Is that Dreiser? I will have to check it out.
LikeLike
Yes it is. I found that is a screenplay, the first i had read. It was different!
LikeLiked by 1 person
That movie haunts me. Robbe Grillet was quite the novelist and his wife as well.
LikeLike
I haven’t seen the movie . I’m sure It would be interesting esp having read the screen play.
LikeLiked by 1 person
Hypnotic and haunting. Time identity and memory want more could you want?
LikeLike
I will let you know how the film affects me. The screen play was difficult to follow but a very fascinating work.
LikeLiked by 1 person
Yes it is the ultimate head scratcher.
LikeLike
Do you have a link on this movie, if so can you pass it on to me?
LikeLiked by 1 person
I have it on DVD brought it years ago, so unfortunately not. It is on the Criterion collection.
LikeLike
Actually I meant to ask if you have a link to a text written for your site on this particular work. I can pull the movie up online. Sorry I wasn’t more specific. 😊
Thank you Mr. Cake!
LikeLiked by 1 person
I have only written about it in a roundabout way… this features a little bit on the movie
LikeLike
Thanks so much. I’ll take a look later. Very appreciated!
LikeLiked by 1 person
The post contains a beautiful story, Last Year is mentioned tangentially (my favourite angle of approach).
LikeLiked by 1 person
A beautiful narrative, a fine angle.
The castle is shown but once on the very last page of my copy of Last Year. I was unable to get an original and it turns out the copy that I received is from a library and still has the library card in the back pocket. Thank you for finding this for, I enjoyed reading it once again.
LikeLiked by 1 person
What a find Miss Heart, I actually haven’t read the screenplay. I think there are thematic links between Last Year and this story.
LikeLiked by 1 person
I think so too. I was rather delighted with the serendipity. I don’t recommend this screen play as a relaxing read but for the surrealist it may be perfect.
LikeLiked by 1 person
That should suit me fine then!
LikeLiked by 1 person
I think you might enjoy it!
LikeLiked by 1 person
Thank you for the recommendation Miss Heart
LikeLiked by 1 person
I’m sure you know more about the background of Last Year in Marienbad than I. I’m still very glad I have this in my collection.
LikeLiked by 1 person
I have read Robbe-Grillet jealously and the Voyeur and I know a bit about the nouvelle Roman. I am envious Miss Heart, though I am glad that I led you to it in a way.
LikeLiked by 1 person
you absolutely led me to new genres of art and writing by sharing your knowledge at your site, I appreciate that very much. Your writing is beautiful, original, and unique. Envy shouldn’t be an issue at all.
LikeLiked by 1 person
I couldn’t ask for more Miss heart, thank you.
LikeLiked by 1 person