
I have previously featured a short clip of Pollie Fallory (# 74 in the VUE directory) giving the Bird List Song socks in my post Persistent Rumours of Encroaching Ice, however I only mentioned the film it is excerpted from in a very casual aside.Well, there is a time and place for everything and a more detailed summary seems in order as part of the series on birds in art, film and literature.
The Falls is an experimental mock-documentary from 1980 and was the first feature length film of the director Peter Greenaway, who would later go onto direct A Zed & Two Noughts, The Belly of an Architect and his most famous, or rather infamous film, The Cook, the Thief, His Wife & Her Lover.
The Falls purports to a filmed representation of the biographies of 92 (a number that recurs frequently the movie, its significance however remains unexplained, like so much else) victims of the Violent Unknown Event (or VUE for short) whose surnames begin with the letters FALL. The 92 people listed are meant to represent a cross section of the 19 million people worldwide who were affected by the VUE.
As the cause of VUE is obviously unknown, we can only gather clues from the biographies, all of which are filmed in a bewildering array of techniques, though all with a earnest, old school documentary style narration. The VUE may, or may not have been the Responsibility of Birds, but it has left those afflicted with an obsession with birds (and/or unaided flight), as well as bizarre medical conditions including six part hearts and re-opening of old wounds. The VUE also resulted in 92 new languages appearing and sexual quadmorphism (in addition to the traditional two sexes another two have come into being and accorded classification).
All in all this perplexing, brilliant and infuriating movie comes over like a cross between Borges and Monty Python, with elements of Kafka in its portrayal of bureaucracy. It does however slyly acknowledge its own limitations, with many scenes of cars or taxiing air-planes pointlessly going around in circles, and with the deadpan voice-over commenting that the various ridiculously named characters suffer from the inability to tell a good joke from a bad one.
I have included illustrations of birds drawn by Peter Greenaway (who started his career as an artist) featured in the film, along with a theatrical trailer.

Reblogged this on lampmagician.
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Thank you most kindly.
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you are very appreciated.
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Thank you that means a lot.
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Very strange and funny indeed, got to watch it, you got me with python. And the drawing….Just marvellous.
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It is long and not without faults, but I find it kind of hypnotic and funny. But I have an odd sense of humour.
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Yes I can imagine that, very funny it seems. Ah well, I do as well.
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Thanks I hope you enjoy.
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The illustrations are wonderful as well. Love them, but I usually have a good eye for these things.
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Oh, you do?
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I flatter myself that I do.
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And you have, indeed
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Thank you indeed.
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Love the artwork. I’ll have to watch the clip when I’m not on my phone. It sounds completely bizarre (not a surprise considering the previous clip you posted)
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It is very bizarre movie. Experimental with a dash of British deadpan nonsense. Long as well, over 3 hours.
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So it’s a commitment. I do enjoy British nonsense though. 😉
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Give me your feedback after you viewed.
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I will
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Look forward to it!
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I have this growing list. I need to go on holiday just to watch them all. Not to mention all the reading material!
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Well holidays are always good. Enjoy!
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Have you ever watched The Draughtsman’s Contract (1982) ? It is a quirky film as all of Greenaway’s, but, aside of being quite enthralling, it features an extraordinary soundtrack by Michael Nyman, which I love 🙂 You may listen to its best known fragment on one of my old posts, here: https://linusfontrodona.wordpress.com/2016/12/03/music-for-ariel-two-minimalist-pieces-of-genius/
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Yes I should have mentioned The Draughtsman’s Contract as it is one of his best, and you are right the music by Michael Nyman is genius. I will take a look, thank you very much!
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You are very welcome, Mr. Cake 🙃
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May I take advantage of today’s talk to give you a link to the first of my old posts on Paul Delvaux ?… At the end of the post there are new links to the follow-ups (should you become interested).
https://linusfontrodona.wordpress.com/2016/12/06/the-quiet-exactness-of-dreams/
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You may indeed and I look forward to reading it.
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Thank you 🙂 !
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Damn it , Cake, I just watched the clip… now I want to watch the whole thing. it looks ridiculously farcically engaging. Plus 1980 a crossroads between styles, the end of the mod and the beginning of the new wave. I was a young teenager and remember those days.
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It is long and I would recommend watching in parts. It is ridiculous but very well thought out.
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Yesterday was a goose day for me. In the morning while driving along a country road to do readings at a local market, there was a handsome flock of geese on the left hand side of the road. I was forced to stop as the white gander stood in the middle of the road watching me warily. I had to toot the horn to get him to move. So I thought ..o.k. it’s going to be goose day.
At the markets I stopped at a tarot deck stall and picked up a deck of American animal shamanic cards and shuffled to see which would come out. 1 card flew out and it was the snowgoose.
When I got back home I turned on the t.v. and was surprised to see The Birds on which you mentioned in a recent post. I have never seen this movie on t.v. So I watched it a bit but I really could not come to terms with Tippi Hedron starting up the motor in a dinghy whilst wearing her mink coat and immaculately coiffed blonde beehive bun. I loved the early 60s? convertible Jag though.
So you had better watch out Jimmy Fallon!
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Hehe thank you for such a lovely comment. I am partial to the Tarot myself. As for Tippi dressed to the nines, a lost world of glamour.
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Well it was a Scorpio new moon day and no doubt added its own brand of ;potency to the readings. I thought later that where i could see the ripple effects of the pebble in the pond, I felt that unseen depths were also stirred.
Scorpio’s waters are never shallow.
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Very poetic and a lovely analogy.
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