The Voyeur

Jean-Marie Poumeyrol

I saw you clearly, as you are,
For the first time in a long while
From the perspective of the hallway
In the stillness of the afternoon
The bedroom (our bedroom) door
Wide open of any passing voyeur
To see and stare at the scene
Spot-lit by a pellucid light
Glaucous and migraine inducing
Nearly naked but of an undone bra
Twisted black satin and frilled lace
Lying almost still on the bed (our bed)
Pale flesh limpid in the peculiar glow
Your limbs entwined entangling
Intimately with his legs and arms
I flatten myself against the wall
But never for a second avert my gaze
Still my breath, strain to catch
Any stray whispered endearments
Sweet nothings or talking dirty
Hypnotic mesmerizing scandals
From this vantage point, this angle
I am unsure as to the identity
Of my lover’s lover, he could be
My brother, best friend or any
Stray random other, my betrayer
I am enraged, ashamed, enraptured
After all these years how could she?
The shame should be theirs but I’m
Intruding on an illicit secret passion
My skin burns hot with rushing blood
Perversely enjoying the raging hellfire
Of a jealously never to be quenched
Fanning ever anew with fierce delight
At the thought of this vivid tableau
Unknowingly arranged and presented
For my vast ever constant delectation,
A whole world of infinite heartbreak
In a pair of hastily cast-aside shoes.

Chambre Close

Bettina-Rheims-Chambre-Close-4th July 1991 Paris
Bettina-Rheims-Chambre-Close-4th July 1991 Paris

Chambre Close is the collaboration between the writer Serge Bramly and the photographer Bettina Rheims. The elegant and cultured tone of the confessions of Mister X, an amateur photographer and voyeur who lures models back to shabby hotel rooms to engage in acts of ‘visual adultery’ is contrasted against the clinical detachment and raw intimacy of Rheims colour images.

Rheims is justly renowned for her studies of female nudes. As she herself notes, “I love flesh. I am a photographer of the skin.”

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Dreams of Desire 62 (Hokusai)

Hokusai-Gods of Myriad Conjugal Delights 1821
Hokusai-Gods of Myriad Conjugal Delights-1821

Katsushika Hokusai is undoubtedly the most famous ukiyo-e (pictures of the floating world) artist of the Edo period. Not only was he responsible for the single most famous Japanese artwork, The Great Wave OffKanagawa, his The Dream of the Fisherman’s Wife is the most widely known example of shunga (spring pictures), the astounding Japanese erotic art that flourished between the 17th and 19th centuries.

What is striking about ukiyo-e is that every major artist of the period produced shunga, including Eiri, Utamaro, Kuniyoshi, Kunisada and Eisen. Although shunga was subject to periodic censorship by the shogunate, this didn’t seem to affect its widespread popularity among all classes of Japanese society. It was also a highly profitable venture for the artist who could supplement their income for months with a single painting.

Below are examples of Hokusai’s work, including The Great Wave Off Kanagawa as well as some brillitantly executed shunga.

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The Great Wave Off Kanagawa
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Hokusai-Sea Cucumber
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Hokusai-Entangled
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Hokusai
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Hokusai
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Hokusai
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Hokusai
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Hokusai
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Hokusai