The Dog is one of the fourteen Pinturas Negras (Black Paintings, see Painting It Black) that Goya painted in his house outside Madrid towards the end of his life. The Dog conveys a sense of sublimity, terror and an unbearable pathos with an enviable simplicity.
The painting is divided in two unequal parts: a dirty ochre above and a dark brown below. There has been much debate regarding the origin of the shadow to the right of the painting, and whether it is intentional, however it probably was the previous design on the wall which Goya painted over. Staring upward into the vastness of the sky is the dog, alone and apparently sinking into the quicksand of the earth. All the heart-break and despair involved in terrestrial existence is concentrated in the expression of mute appeal of the dog as he searches the heavens for a sign of a return of his varnished master.
The Dog has been called the first Symbolist painting and was held in particular high regard by Picasso and Joan Miro.
A truly astounding and disorienting masterpiece by the German virtuoso of latter 20th and early 21th century art, Gerhard Richter. What appears to be at first glance to be an artistic photograph, albeit a sublime one, of Richter’s beautiful third wife Sabine Moritz reading a newspaper, turns to wonderment and awe when you realise that this is actually an oil painting on canvas. There is an absolute perfection of the reproduction of the original image in a different media, a dizzying illusionism that questions our perception of art and consequently reality itself . The gorgeousness of the play of light across the sweep of the neck and shoulders, combined with the serenity of expression and the unquestioned technical mastery is worthy of Vermeer, an acknowledged inspiration.
Richter, who is quoted as saying that he is a Surrealist, has painted in a bewildering array of styles during his career that has spanned over 60 years. As well as his hyper-realist and photo-realistic paintings he has painted abstracts, monochromes and landscapes. Over the last five years his work have fetched the highest prices of any living artist. The Museum Ludwig in Cologne, a city Richter has resided in since 1983 holds a large collection of his work and recently held an exhibition of a series of 26 abstracts painted in 2015.