Rapturous Ascendancy

allyson-grey-chaos-order-secret-writing-watercolor[1]

Agent Lee sat at the bar of the Cafe Rouge et Noir and listened to the convoluted whispered conspiracies about the collapse of the Fourth Decadency and the potentially terrifying rise of the Rapturous Ascendancy that eddied through the crushed velvet atmosphere. As he sipped glass after glass of whiskey he kept one eye on the variously coloured images of the passing trade reflected in the wraparound mirror behind the two bar-tenders. He had mastered several techniques over the years in revealing auras and mirrors were an invaluable aid, though of course it was an art, not a science, and the conditions had to be just so for him to get an accurate read.

Conditions in Agartha necessitated that Agent Lee always be on his guard. Not only was there the possibility that an informer might be a double agent for The Angle aka Al the Angle aka Alabama Al aka Birmingham Al, there was the indisputable fact that the controlling authorities and the forces they in turn answered to would be keeping a very close eye on his every manoeuvre and movement. Besides, as the major industries (apart from the administration of interstellar bureaucracies) in Agartha was the production of illusion, maintenance of egregores and the distribution of deception he couldn’t absolutely trust the evidence of his own senses. Beneath his breath he muttered garbled charms and counter-spells while his finger traced sigils with the drops of spilled whiskey on the wooden counter top. For more flesh and blood enemies he had full confidence in the heat nestling snugly in his shoulder holster.

He had just ordered another whiskey from the dead-eyed blonde barmaid when he saw a violently violet aura glowing incandescently in the mirror. It had to be her, his only lead to The Angle.

(Although the above can be read as a miniature stand-alone story, it is a direct follow on from Oblique Angle, which in turn is part of a larger series of loosely connected fictions, starting with Showtime, (though several characters and locations had made prior appearances) and carrying through TerritoryEden FallsUneasy City & X Marks the Spot.)

Art, Pleasure and Gardening

Max Ernst Convolvulus 1941
Max Ernst Convolvulus! Convolvulus! 1941

While Surrealism is usually associated with the visual arts, in particular painting, photography, collage and films, the initial impetus was literary. As well as the many manifestos and polemics, Surrealists also produced poetry (translations of which can be found on this site, see Free UnionThe Spectral AttitudesSleep Spaces, Serpent Sun and I Have So Often Dreamed Of You), and fiction. There are Surrealist novels, but as Andre Breton disapproved of the form as the medium of literary careerists the majority of Surrealist fiction tend to be in the short story format.

As most Surrealist short stories tend to be hidden away in hard to find collections and obscure periodicals, this facet of the Surrealist imagination has been unjustly ignored. 

In an effort to remedy this situation, I am pleased to post Alain Joubert’s delightful fable Art, Pleasure and Gardening, one of several Surrealist short stories to be found here (see The Debutante, AxolotlThe Garden of Time, Kafka, Or “The Secret Society” and Rapa Nui. In Art, Pleasure and Gardening, Joubert shows how desire, passion and pleasure can transform the world.

Art, Pleasure and Gardening

He was sick of living within four walls grey with dust in the tiny two-roomed flat with kitchen washbasin and toilet on the landing in the tenth district which a lucky (?) chance (and a little help from his sister) had provided him with the opportunity to invest in a couple of years earlier. While lying in a more or less collapsed spring mattress which was set out on a level with the floor, he let his gaze linger on those miserable grey walls with torn wallpaper on which it was still possible to discern, here and there, a few bunch of grapes trying vainly to serve as decoration, but which had been definitively devoured. In this way the minutes were drawn out and by degrees were turned into hours without the slightest desire having passed through his mind. But suddenly , when twilight had ceased eating away what little light appeared to him through the dirty windows that opened onto another wall without windows (it was six in the evening and February had never been the most cheerful month) he decided that what he would do would be to buy a plant. That was the first day.

*

On the second day, he went to the flower market on the Ile de la Cite. After some dreadful hesitations and a titanic internal struggle, he finally chose a Monstera deliciosa of the Araceae family, whose leaves, twelve inches long and ten inches across, stretched out in the form of a heart and deeply cut between the secondary veins, threw many strange shadows on his walls when he installed lateral lighting.

Passion then overcame him. an Aechmea fascianta, some Bromeliaceae, a Cissus antartica, some Vitaceae, Diffenbachia,Fatshedera, a Peperomia together made their appearance in the flat and something tropical began to rise up from between their foliage. That was the the third day.

*

On the fourth day, as he scrutinised the hothouse at the Botanical Gardens seeking new species, he had an encounter. In front of a Sciandapus Aursus, which originally came from the Solomon Islands and whose heart-shaped leaves very much intrigued him, his gaze met that of a charming young woman, whose long hair lightly flowed and who appeared to be – like him- fascinated by the plant world. Later, as they lay on the spring mattress, which as discreetly as possible had accompanied their amorous journey, they decided to turn the two-roomed apartment into an enchanted place in which the plants would occupy pride of place in the room as they already did in their lives.

*

No sooner said than done. They bought a quantity of peat and wood hummus and spread it far and wide over the floor and took the plants they had already brought out of their pots and, after unpotting them, planted them in open ground, together with a good dozen newcomers they had spent the day collecting in more or less the usual way. in the evening, exhausted but happy, they slept together, naked, on a bed of palm leaves after having refreshed themselves with fruits. That was the fifth day.

*

On the sixth day, they were surprised to see that the plants had sprung up in a way that had nothing natural about it. From morning, a tangle of branches, leaves and liana prevented them from moving about the flat easily and by noon they had to become resigned to tracing out a route with a machete if they wanted to get from one room to the other. They found this extremely poetic and were pleased with the astonishing humid heat which reigned in the rooms, something which encouraged them to dispense with the slightest clothing on their radiant bodies. Water streamed down the walls, serving to complete the illusion but completely ruining the wallpaper! Dozens of birds came in through the window and mingled their songs with the sighs of our two young savages, who were more in love than ever!

*

The next day passed as if in a dream. Strange and succulent fruits had appeared on some of the plants – which soon turned into trees – and they even saw an iguana, which sprang up from who knows where and took a trip around the room before vanishing into the undergrowth. They spent their time savouring its flow, caressing one another and re-discovering the pleasures of forgotten senses – or the meaning of forgotten pleasures. In short, they weren’t bored! That was the seventh day.

*

At dawn on the eighth day, there was a knock on the door. an old man with a long white beard, flanked by a tipstaff and a policeman, read out a declaration printed on official paper that announced that they were being evicted forthwith, failing which they would suffer a severe penalty. And this is how they were ignominiously thrown out of Paradise Road for having tried to create it there again! Since then he has worked for the Social Security, while she became a teacher. As for the flat, they say no one has ever been able to get inside, so intensely has the vegetation grown. But then they say so many things.

Alain Joubert 1984

Translation: Michael Richardson