Chance would be
a beautiful thing
make it reign fall
downpour a deluge
and after the storm
a reverent silence
before starting up
and over again
to begin afresh
casting of die
turning of cards
flipping of coins
drawing of straws
moving of pieces
swayed by chance.
I will have you
You will be speaking in tongues
Crying out harsh barbaric invocations
Shouting entreaties to forgotten deities
Babbling away in rapturous ecstasy
Before this night is over but you better
Believe that this is only the beginning
For I will have you
Over and over and yet once again
Every element of these arcane rituals
Have to be satisfied in every aspect
The right word said in the right place
At the right time this is the right action
That will cause the doors to open wide
I will have you
I will take you there to a place you
Can only vaguely remember in dreams
A world of mesmerising fascinations
Inevitably leading to intoxicating danger
Nothing is true nothing is real everything
Shapeshifts you only have your self to lose.
The masterpiece of the exceptional Surrealist Wifredo Lam, The Jungle from 1943, presents in its densely populated canvas a nightmarish, claustrophobic vision of riotous growth and rapid decay. Blending the human, animal and vegetation within his totemic masked figures with their proliferation of limbs and orbed protuberances, TheJungle exudes a sinister atmosphere of ritualised aggression and menace.
Lam was born in Cuba of mixed Chinese and African descent. His godmother was a famed Santeria practitioner and both his Afro-Cuban heritage and the orisha (the spirit deities of Santeria, the Cuban equivalent of Vodou) would play an integral part in his mature work. His association with Andre Breton would led to Lam illustrating Breton’s collection of poems, Fata Morgana and Lam was one of the artists and intellectuals that would contribute to the Surrealists re-design of the card deck (see Le Jeu Du Marseille-A Surrealist Pack of Cards) while holed up in a Marseilles mansion while awaiting to escape Europe after the Nazi invasion of France. Lam would also accompany Breton and his wife Elise on his visit to Haiti (see Desire in a Different Climate).
The work of English analogue photographer Ellen Rogers evokes many different epochs and styles: nineteenth century fin-de-siecle Symbolism, the Golden Age of Hollywood and the Swinging Sixties. Rogers skillfully combines these disparate periods in her hand coloured photographs to create a unique and evocatively timeless realm overlaid with a ritualised erotic charge and an mysterious occult significance. The avant-garde films of occultist and author of Hollywood Babylon, Kenneth Anger would appear to be a touchstone, especially Inauguration of the Pleasure Dome that starred the Scarlet Woman herself, Marjorie Cameron.