As I noted in my previous post on the extraordinary German artist Gerhard Richter (see The Reader) his constant re-invention, technical mastery and breath of subject matter has created a body of work without parallel in contemporary art.
He has also shown an constant engagement with and re-visioning of the work of the Old Masters, including Vermeer, Titian and Ingres. Badende, featured above, takes as its starting point Ingres’s The Turkish Bath, one of the most sensual and erotic paintings ever, while Kleine Badende below references the same artist’s The Small Bather. Grey is to Richter what blue was to Yves Klein (Dreams of Desire 48 (Blue), however the smudged obscurity of Badende actually accentuates the erotic possibilities inherent in the scene. Richter’s third wife Sabine Moritz is the model for Kleine Badende, painted in the blurry photo-realistic style that he is justifiably famous for.