After Bataille

Illustration for Madame Edwarda by Georges Bataille-Kuniyoshi Kaneko-1976
Illustration for Madame Edwarda by Georges Bataille-Kuniyoshi Kaneko-1976

As the tiger is to space,
So sex is to time,
Apparition of savage grace,
The prelude to crime,
A loss of all face,
A rending tear in the fabric
Stitched together by some joking maverick

Demented demiurge blind
And paralytic:
The only thing on your ravaged mind
Syphilitic,
Is where to find
The pot to piss and shit in
Which is, all things considered, rather fitting.

We’re near the limits of the I,
But I is another,
A discontinuity of cries,
All passion is other,
Into the emptiness we sigh,
Signs descend into parody,
Eggs eyes and testicles a chain of analogy.

I meet God, a lazy whore
Lolling on a bed,
Don’t you want some more?
As she opened her legs she said:
I needed her tender and raw
So I could penetrate the mystery,
Plumb the void of the coruscating divinity.

Another Country

Someone Else’s House-George Shaw 2018

Somebody should have told you
That there was never any future
In lying supine,
Idly dreaming
Of your lost glory days
The vanished grandeur of your imperial passage
When you subdued the very waves
And subjugated the nations of the world
With boots pressing downturned faces
Further into the mud until they choked,
Striking accords and treaties
Then perfidiously reneging
Carrying cargo requiring whips and chains
A-looting and a-raping
Destroying and acquiring
Wholesale pillaging
But you know, all for their own good
A civilizing mission of course
Truth be told it was all a bit of a burden
But somebody had to do it and who better than us?
Quite quite but can you see the future
In dreaming of a past that was actually a nightmare
And how it poisons your present
Making your current decline
Take on the bouquet of a corpse
Your empire resulted in beaucoup bad karma
And a backlash that reverberates and echoes
Not only did you oppress and degrade the colonized
But we dehumanized ourselves in the process
Turns out that your manifest destiny
Was to be exceptional only in dissembled aggression
Yet you still wrap yourself in the flag
Butchers apron, a filthy bloody rag
While cultivating a loathsome air
Of detached superior nonchalance,
Fundamentally supercilious
Undermining any attempts at seriousness
With a deadly withering irony
A scornful reproach of all decency
Yet we are still surprised
When we encounter all the hate
Displayed by neighbours and others
Further a-field, all over in fact
Can’t they see what we did for them
All those ungrateful so and so’s
Can you believe that they think of us as some
Stricken beast too stupid to know that its dead?
Well we will show them one day
If only the enemy of the people
Those traitors and bleeding hearts
Would stop talking us down
If only we could rouse and wake up
Then we might dream
Of starting over again, though this time
We would make sure that the sun
Never ever never sets

Palpating for Absolution

Kay Sage-Le Passage-1956

I touch your skin with a hope of palpating your heart
To cause an excitation within your mind that travels
Down and around towards the tenderest target zones
Leading to an exultation that abolishes all barriers
Just for a moment a confusion reigns as to where I stop
And when do you start to begin once more again

Ever constricting circles nearing the vanishing still point
The ever eluding aim the shimmering illusionary goal
Of my hesitant groping then more assured stroking
As you strain to reach those regions unknown to me
Still I long for and hasten your complete surrender
Emptied and spent experience blank devasted serenity

I touch your skin unsure whether this repetition is a curse
Or some form of blessing preceding a final absolution

OR

Man Ray-Woman holding Giacometti’s Disagreeable Object

Choose one from the following:


This is the beginning of something

Or

The end of everything

Or

A continuation of a whole lot of nothing

Or

Stop right there I have heard enough
I don’t care for the menu
Time to move on wasted enough already

Or

And or but
Into the fog
Maybe the smoke
If it is the conflagration after all
Either or neither
Nether ever never
Wood coal pour some oil
Cant see the forest for the trees

Or

I saw you for the first time again
You seemed different somehow
Though I had to admit
That you looked so good
I just had to touch myself
Forgetting that your kisses
Always left their mark
Bruising and wounding
Ah well what’s sex without pain
Love always requires some seasoning

Or

Will you ever….
You make everything sound so dirty
Though you will probably take that
As some form of obscure compliment
After all you wrote a pornographic reprise
Of Aquinas’s Summa
But I’ve come here to bury you
Not to praise
Are you listening
Do you catch…

Or

Come now cough ante pony up
No thing like a free
Take a look at the fork
We are all exposed
In some form of fashion
What a season
Hell’s got nothing
Here is the variety
Nauseating horrific exhilarating
No time for the honorific
Down here while I describe
With disgust my various
Beautiful disguises

An Ideal Dystopia

18u2pdyi03p5ejpg[1]

These days what’s the most we can realistically hope for but some form of ideal dystopia.
Perhaps an isolated bunker in a distant land deep beneath the surface fitted with all the conveniences that seem so essential, naturally.
We could sleep safe and soundly there and dream plastic dreams of our synthetic future as we transform into angelic androids, with our skins like vinyl that hisses and crackles when we touch, superficially smooth yet as we press harder we discover contours and grooves that activate sensations far forgotten within the soul.
We long for a fine and private place but there is none to speak of so we sneak into what passes for a sacred grove, dedicated to some degenerate local deity with one glass eye and undoubtedly an unappeasable taste for tidy hookers and neat gin.
In this dimly lit ersatz arbour made of rusting metal and fake bamboo hemmed in by tarnished mirrors we talk:
of replicants;
of organisms that ceaselessly duplicate;
of the next eagerly anticipated catastrophe;
of death and destruction as the ultimate spectator sport;
of the serenity to be found in surrendering to the spooked spiralling logic of paranoia;
of nightclubbing and nightcrawling;
of nocturnal emissions;
of the vicious inanity of Incubi and Succubi;
of the Latter Days of the Fourth Decadency;
of a corrosive inertia;
of ennui and entrophy;
of containment and contagion;
of chance encounters and happy accidents that lead to inevitable happy endings;
of the cellar door in The Very Heaven Heavenly Hotel;
of protean cult leaders;
of clairvoyant photographers;
of a vanishing star of stage and screen;
of wandering infra dig soldiers lost in the twilighting border zone;
of standing on the threshold of a room;
of skipping a vital slowed down sleazy beat;
of nonsensical impulses and randomly compelling whims;
of waylaid emotion and contaminated intimacy;
of perverse attractions;
of dream homes and heartache;
of love and sleep.