Daniel Gonçalves is an entirely self taught draughtsman and painter from Porto, Portugal who has recently exhibited in his homeland as well as Paris, New York and London.
Gonçalves started drawing at the age of fifteen in 1992, however due to a difficult childhood and a peripatetic unsettled adult existence, combined with an innate perfectionism means that all work produced before 2015 is either lost or destroyed. Gonçalves first solo show was at the Gallery Cruzes Canhoto, Porto, Portugal in 2016.
Exhibiting a terrifying symmetrical precision, Gonçalves geometric abstraction has an obsessional hallucinogenic quality. Filled with Masonic and occult references, these drawings suggest sacred geometry, tantric images, mandalas, the doors to a bank vault containing the holy of holies, the key to open the crypt of our dreams.
Chance would be
a beautiful thing
make it reign fall
downpour a deluge
and after the storm
a reverent silence
before starting up
and over again
to begin afresh
casting of die
turning of cards
flipping of coins
drawing of straws
moving of pieces
swayed by chance.
As I noted in my previous post on the artist and occultist Austin Osman Spare he achieved acclaim and relative success at a very early age, exhibiting at the Royal Academy of Arts at 17, before becoming unfashionable and fading into a near total obscurity . Yet he was to remain a highly prolific artist up until his death at 69, experimenting with an array of styles, mediums and techniques.
Spare’s mastery of line was never in dispute, however the paintings in the Experiments in Relativity series, for which he coined the term ‘siderealism’, as well as the more occult influenced work show that Spare was an excellent colourist. The paintings of characters from the grimy streets of Southwark, London and exhibited in local pubs reveal his brilliance as a portraitist.
I have included below a cross section of Spare’s art throughout his career. He has been called a Symbolist, Proto-Surrealist and a precursor of Pop Art, but Spare was first and foremost his own creation.
Most of the occult artist Austin Osman Spare‘s experiments in cartomancy were believed to be forever lost (including the ‘Surrealist Racing Forecast Card’ pack, a real shame as this covers a number of my favourite things: art, cards, the occult and gambling), however in 2013 a hitherto unknown pack of 79 hand painted Tarot cards was verified as being the work of the art nouveau enfant terrible.
Influences from the Tarot of Marseilles and the Rider-Waite-Smith decks are evident in the design, however the idiosyncratic verve and boldly brilliant use of line could only have been executed by the skillful hand and wild imagination of Austin Osman Spare.
I will have you
You will be speaking in tongues
Crying out harsh barbaric invocations
Shouting entreaties to forgotten deities
Babbling away in rapturous ecstasy
Before this night is over but you better
Believe that this is only the beginning
For I will have you
Over and over and yet once again
Every element of these arcane rituals
Have to be satisfied in every aspect
The right word said in the right place
At the right time this is the right action
That will cause the doors to open wide
I will have you
I will take you there to a place you
Can only vaguely remember in dreams
A world of mesmerising fascinations
Inevitably leading to intoxicating danger
Nothing is true nothing is real everything
Shapeshifts you only have your self to lose.