Cosmic Emblems

Dionysuis Andreas Freher-Hierolgyphica Sacra-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra Emblem 5-William Law edition of Jacob Boehme

The German shoemaker, mystic and visionary Jacob Boehme’s dense theosophical writings are filled with alchemical references and allusions. These taken together with elements of Gnosticism and the Kabbalah make Boehme one of the most occult inclined of Christian writers.

The following illustrations are taken from the appendix to William Law’s four volume edition of Boehme’s writing translated into English. Law was an Anglican priest who lost his position when he refused to give an oath of allegiance to King George I and therefore become a private tutor. Among his students were Edward Gibbon, author of The Decline and Fall Of the Roman Empire and John Wesley, the founder of Methodism, (though they fell out over Law’s admiration of Boehme).

The illustrations were undertaken by the London based German mystic Dionysuis Andreas Freher, whose work was a major influence upon the English poet, painter and prophet William Blake.

The complete series of emblems included above and below tells of Creation, the fall of Lucifer followed by the fall of Adam and man’s redemption through Jesus. Interestingly Sophia, a figure found in Gnosticism features prominently (the top S contrasting with the S of Sathan down below). The drawings of Hieroglyphica Sacra are unusual with their¬† near geometric abstraction, minimalism and pared down symbolism. It is alchemical art taken to its most cosmic level, an allegory of the War in the Three Realms of Heaven, Earth and HellDionysuis Andreas Freher-Hierolgyphica Sacra 3-William Law edition of Jacob Boehm

Dionysuis Andreas Freher-Hieroglyphica Sacra 1-William Law edition of Jacob Boehme

Dionysuis Andreas Freher-Hierolgyphica Sacra 2-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 2-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 3-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 3-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 4-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 4-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 6-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 6-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 7-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 7-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 8-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 8-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hierolgyphica Sacra 9-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 9-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 10-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 10-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 11-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 11-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 12-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 12-William Law edition of Jacob Boehme
Dionysuis Andreas Freher-Hieroglyphica Sacra 13-William Law edition of Jacob Boehm
Dionysuis Andreas Freher-Hieroglyphica Sacra 13-William Law edition of Jacob Boehme

 

 

 

 

The All Seeing Eye

4-Mysterium-Pansophicum[1]
Aurora-Jacob Boehme
No wonder the Surrealist’s found inspiration in old alchemical and occult engravings as its strange symbolism hints toward a deeper reality that cannot be comprehended by reason alone but only in the recesses of the unconscious.

The illustrations to Boehme’s Aurora are a particularly fine example of the early theosophical tradition. Boehme was a German shoemaker and mystic who one day while contemplating upon the exquisite beauty of a beam of sunlight reflected in a pewter dish fell boehme[1]into a visionary state which he believed revealed the spiritual structure of the universe.

His work was a direct influence upon the great English visionary, painter and poet William Blake.