U & I

Heinz Hajek-Halke
Heinz Hajek-Halke

The words that I say don’t mean a thing,
Except for their inherent suggestiveness.
They are an attempt at hypnotizing you,
My intention is to bewitch and enthral
Before slowly, ever so slowly, then finally,
Seducing you in just such a fashion.
Understanding will elude you for now,
Only long afterwards can you begin
To understand that rapture, this bliss,
The rupture and the event changing
Everything and consuming the parts
That formerly constituted the whole;
The heavenly body bruised and bitten,
Your lunar skin a palimpsest upon
Which I have scrawled in marker
Every wayward impulsive craving
And deepest innermost desiring:
Across your most intimate territories,
Swell of breast, slope of thigh I write
The text of my tyrannical longings
To feel your heart beat fast, faster
Suffusing every inch of you with heat
Because I want to not only feel
The flame within you burn brightly,
I want to see, hear, taste and smell
Your essence, then I may possess all;
Your soul
Mutual absorption
Indivisible diversity
2 become 1
U & I.

The words that I say don’t mean a thing,
Except for their ritualistic significance.
They are an attempt at an invocation,
My intention is to enthral and bewitch,
Make desire a reality through the will.

Dreams of Desire 54 (Written on the Body)

heinz-hajek-halke-german-experimental-photographer-10[1]
Heinz Hajek-Halke
The German photographer Heinz Hajek-Halke concentrated almost entirely on montage techniques. Influenced by the great Dada and Surrealist innovators of the 1920’s and 30’s he experimented with solarisation and camera-less photographs. During WWII he turned to photographing small animals for scientific publications. The 1950’s however saw Hajek-Halke returning to experimental photography; he joined the fotoform group and participated in two of the groups subjektive fotografie exhibitions, becoming one of the few photographers to be involved in the avant-garde of different generations.