Chambre Close is the collaboration between the writer Serge Bramly and the photographer Bettina Rheims. The elegant and cultured tone of the confessions of Mister X, an amateur photographer and voyeur who lures models back to shabby hotel rooms to engage in acts of ‘visual adultery’ is contrasted against the clinical detachment and raw intimacy of Rheims colour images.
Rheims is justly renowned for her studies of female nudes. As she herself notes, “I love flesh. I am a photographer of the skin.”
A sumptuously shimmering erotic photograph by the one of the greats of 20th Century photography, Henri Cartier-Bresson (previously featured in this series, see Dreams of Desire 50 (The Decisive Moment) of the Argentinian Surrealist painter, illustrator, fashion designer and writer, Leonor Fini. A fiercely independent woman renowned for her unorthodox personal life, Fini is credited with being the first woman artist to paint a male nude.
Despite the fact that Surrealism was involved in literature, illustration, painting, film, architecture, philosophy and politics, the area where it achieved its greatest impact and subsequent influence is undoubtedly the field of photography (see Dreams of Desire 2, 3, 21, Angel and many others for examples of Surrealist and Surrealist inspired photography).
This influence can be seen in the nudes of the French photographer Lucian Clergue, who at the age of 21 in 1955 struck up a friendship with Picasso that was to last until the great modern master’s death in 1973. Clergue’s nude photographs often feature the zebra effect which creates a distancing coolness and abstraction to the exposed flesh. The model (or models) are defined by the interplay of light and shadow. In other studies the model is placed in natural surroundings where the body merges into the landscape in the manner of Magritte.