The Staircase to the Forest

Susanne Rempt-Staircase 2018
Susanne Rempt-Staircase 2018

The way out is through the door
verging on a vertiginous staircase
the only way is down though from
this skewered perspective that may
paradoxically lead you upward
so ever onward begin the descent,
quickly take the steps but careful
mind the gaps widening fissures
leading you into the dense forest
so easy to lose your bearings here
the sunlight barely penetrates
this vast twilight realm of hidden
dangers patiently waiting preying
in the branches, undergrowth
did you forget your thread, crumbs?
Compass or maps are no use here
in this contorted maze old as time
if by chance you ever do stumble into
the sacred point, the absolute centre
what you will find is a jumble of stone
slabs stained by millennia of sacrifice
the enactment of hushed mysteries
performed to the veiled huntress
forever unrevealed, unknowable
the sacred cannot be witnessed
any verification is defilement
of a majestic divine inhuman purity
transcendence is transgression
punishable by transformations
inexorable sarcasms of fate
so move on, there is something
to be seen here but not by our eyes
let’s just scatter to the wind
stand by the towering waterfall
that pounds, pulverises, wears down
the landscape changing eventually
courses streams you can’t
step in here twice so float flow
towards distant mother pre-adamic
hold hands jump into the swell
feel the caress of the dark masseur
the currents riptides the source
of life an unconscionable dream. .

The Message Of The Forest

tumblr_mcalp26zd91qghwp0o1_r2_12801
The Message of the Forest-Toyen 1936
In 1936 Toyen returned to painting after a period concentrating on collages and erotic book illustration, and produced what is arguably her masterpiece The Message Of The Forest, a painting that seems to be an pictorial representation of a particularly sinister Central European fairy-tale.

A massive owl-like creature, painted in a startling shade of electric blue  bears in its one remaining claw the severed head of a young girl. As is frequent in Toyen she plays with scale to induce a sense of disorientation in the viewer. The vivid green of the tree bark and the absolute inky blackness of the night contrast with the pallid mask-like face of the girl, suggesting that the forest, and by extension nature, is essentially inimical  to humanity.