The Voyeur

Jean-Marie Poumeyrol

I saw you clearly, as you are,
For the first time in a long while
From the perspective of the hallway
In the stillness of the afternoon
The bedroom (our bedroom) door
Wide open of any passing voyeur
To see and stare at the scene
Spot-lit by a pellucid light
Glaucous and migraine inducing
Nearly naked but of an undone bra
Twisted black satin and frilled lace
Lying almost still on the bed (our bed)
Pale flesh limpid in the peculiar glow
Your limbs entwined entangling
Intimately with his legs and arms
I flatten myself against the wall
But never for a second avert my gaze
Still my breath, strain to catch
Any stray whispered endearments
Sweet nothings or talking dirty
Hypnotic mesmerizing scandals
From this vantage point, this angle
I am unsure as to the identity
Of my lover’s lover, he could be
My brother, best friend or any
Stray random other, my betrayer
I am enraged, ashamed, enraptured
After all these years how could she?
The shame should be theirs but I’m
Intruding on an illicit secret passion
My skin burns hot with rushing blood
Perversely enjoying the raging hellfire
Of a jealously never to be quenched
Fanning ever anew with fierce delight
At the thought of this vivid tableau
Unknowingly arranged and presented
For my vast ever constant delectation,
A whole world of infinite heartbreak
In a pair of hastily cast-aside shoes.

Interior Mysteries

Le Sabbat-Jean-Marie Poumeyrol
Le Sabbat-Jean-Marie Poumeyrol

After graduating from the Academy of Fine Arts in Bordeaux, Jean-Marie Poumeyrol taught mechanical draughtsmanship before being let go from this occupation for failing to pass the nude drawing exam, receiving an ‘F’ in this subject at the same time that his disturbing and morbid erotic paintings were becoming highly prized collectors items.

Allied with the artists of fantastic realism, H.R Giger and Sibylle Ruppert are two notable examples of the style that I have previously written about, Poumeyrol developed his style away from erotica, painting mysterious  interiors devoid of human beings but filled with the ghostly traces of absent inhabitants, noticeably numerous fetishistic drawings adoring the walls. The hushed surroundings are bathed in a peculiar pellucid light; gradually the hint of horror that these paintings undoubtedly contain reveals itself  in the eerie calm of these meretriciously rendered spaces

Below is a selection of paintings covering various stages of his career. Information is rather scarce regarding dates and titles, surprising for such an excellent artist of singular vision, however that is the vagaries of reputation and fame.