Dreams of Desire 62 (Hokusai)

Hokusai-Gods of Myriad Conjugal Delights 1821
Hokusai-Gods of Myriad Conjugal Delights-1821

Katsushika Hokusai is undoubtedly the most famous ukiyo-e (pictures of the floating world) artist of the Edo period. Not only was he responsible for the single most famous Japanese artwork, The Great Wave OffKanagawa, his The Dream of the Fisherman’s Wife is the most widely known example of shunga (spring pictures), the astounding Japanese erotic art that flourished between the 17th and 19th centuries.

What is striking about ukiyo-e is that every major artist of the period produced shunga, including Eiri, Utamaro, Kuniyoshi, Kunisada and Eisen. Although shunga was subject to periodic censorship by the shogunate, this didn’t seem to affect its widespread popularity among all classes of Japanese society. It was also a highly profitable venture for the artist who could supplement their income for months with a single painting.

Below are examples of Hokusai’s work, including The Great Wave Off Kanagawa as well as some brillitantly executed shunga.

hokusai-japan-manga-rome-exhibition[1]
The Great Wave Off Kanagawa
d30ae953a67140901cf19db81c8c4d96[1]
Hokusai-Sea Cucumber
Shunga_lesbiennes_-_doble_harikata[1]
Hokusai-Entangled
62b51dbab5f62bbc1afd592c5e790893[1]
Hokusai
models hugs[1]
Hokusai
scena_erotica_shunga_realizata_cu_pigmenti_metalici_reprezentand_un_cuplu_intr-o_incapere_intima_stampa_rara_katsushika_hokusai[1]
Hokusai
27112_ca_object_representations_media_105_mediumlarge[1]
Hokusai
6324304122400024[1]
Hokusai
479b556bde5c42d479ffee3f78893e74[1]
Hokusai

Dreams of Desire 40 (The Girls from the Provinces)

tumblr_m2bmwmqslg1qmsoweo1_12801
Paul Delvaux-Silent Night 1962

As a child Paul Delvaux devoured the work of the writer Jules Verne, especially Journey to the Centre of the Earth, and characters and scenes from Verne would populate Delvaux’s canvas throughout his career. The eccentric Victorian professors are frequently the only male (and fully clothed) figures in the predominantly female (and undressed) Uneasy City that is the setting for all Delvaux’s paintings.

Silent Night is from his later period and there is a variant entitled The Girls From the Provinces that features the same cast of characters in different positions and set in the late afternoon as opposed to night-time. The embracing girls from the provinces, on the right, make explicit Delvaux’s fascination with lesbianism that is usually only hinted at in his paintings.