with your amphetamine blush,
ceaseless opiated caresses
if only looks could melt.
Last of the gravers,
at death’s discoteca
do you miss
that old morbid élan,
with real live girls,
packets of gear,
being the man,
making them wait?
You ain’t who you
used to be anymore,
hollowed out by the night,
spooked by a thousand insomnias,
an uncertain spectre
at the feast of the auto-cannibals:
paying the heavenly revenue service
the vig for deceiving syntax;
now every lying word turns to ash
within your pitted and parched mouth,
and every cruel intention,
is now a stone within
your bloated stomach.
time to open the curtains
and let the sunshine flood in.
The possessor of the violently violet aura glided past the mirror towards the dim booths in the dark, escorted by a well dressed man and a couple of standard issue heavies. Agent Lee was assaulted by the smell of brown paper envelopes bulging with notes of a large denomination. The kind of money paid to those that had access to power and who sat in secret council meetings to decide the fate of billions who didn’t even suspect that such forces existed. Agent Lee realised that all his caution and unique talents would have to utilised if he wanted to emerge out of this subterranean realm still breathing.
It was going to be difficult in the extreme to approach violet aura, who he had a perception was named Vivienne, surrounded by such company. It would surely alert one of the warring factions or The Angle, maybe even the controlling authorities who would in turn report higher up to command. He could guess what view they would take if he blew deep cover.
Agent Lee turned over the case in his mind as he downed his drink and signalled to the dead-eyed blonde for another. Every aspect was ambiguous verging on mindfuckery. Nothing was certain and hinted darkly that somewhere someone was being played.
Well at any given moment someone somewhere was getting played, just as long as it wasn’t him. If it was then he would make sure of a sizeable body count before he was put into the bag himself.
What did he know, Agent Lee thought, nothing really, in fact less than nothing.
Al the Angle, real name unknown, as was his date of birth, age, nationality and profession. He was either from Birmingham UK or perhaps Birmingham AL, though some sources suggested his origins could in fact be Black Irish or even Argentinean. It seemed relatively certain that he probably worked for a time as a croupier in The Very Heaven Heavenly Hotel by Hilton-Tetragrammaton ™, Paradise, NV, before becoming a small time grifter and pimp in various European countries. But how much credence could be granted to claims that he had also been a mesmerist, a psychologist, as well as a stage illusionist?
Even more perplexing was how he made the jump from petty conman to being involved in the manufacture and distribution of both Black Acid and Nu-Phoria, which led to expansion of his activities into Centralia and other territories? Even murkier was his apparent involvement with the Selenites and other factions sympathetic to the aims of the Rapturous Ascendancy. Did he really pioneer the hype-gnosis technique and found the Church of Love & Wrath?
Of course the massive elephant in the rather bijou room was how on earth had he circumvented the controlling authorities and set up operations in Agartha itself?
Unsurprisingly given the mass of contradictory evidence rogue elements had suggested that no such person as The Angle ever existed, he was a conflation of ne’er do wells, bugbears and hobgoblins. One agent had remarked to Lee that The Angle was nothing more than a character dreamed up by Special Agent Red who was currently residing in a private clinic outside of Trondheim, Norway. He had written a report which was taken as factual and then through bureaucratic accumulations the nebulous figure had acquired an actuality to the authorities.
He had to get to Vivienne to get to The Angle. But he couldn’t get to her here; he had to get her alone. And for that he would have to rely on patience and chance, only then he could use his magic to get the necessary information and perhaps, just perhaps, even more. The best approach, Lee decided, was to track her leaving the bar from the hotel across the street. Nobody noticed his departure and five minutes after he had checked into a shabby room with a view of the entrance of the Cafe Rouge et Noir the strung out receptionist had forgotten his existence. Looking out of the grubby window Agent Lee watched and waited.
My post on Bob Carlos Clarke’s photographs of debutantes balls (see Very Heaven, Indeed) got me thinking about the ghosts of nightlife past, which naturally enough, led me to remember Mark Leckey’s 1999 video installation Fiorucci made me Hardcore.
This short 15 minute film of found footage choreographed to the snippets of songs, cheers and sounds that languidly drift in before disappearing, chronicles approximately 20 years of the English club scene, from the amphetamine driven Northern Soul dancers of the mid 70’s via the football casuals to the ecstasy fuelled warehouse raves of the late 80’s-early 90’s. Laced with an elegiac nostalgia, we witness the invariably young dancers caught up completely in the bliss of the moment: the holy now. Fiorucci made me Hardcore derives it oddly haunting quality to the fact that we are aware that no matter how much we are living in the instance that the lights will eventually come on, day will dispel the charm of the night and that any lingering intoxication will dissipate to be replaced only by a grinding comedown. The scene and youth itself will fade away. For the now is soon yesterday and this moment has, like all moments must, passed.
Regular readers may have noticed that I tend to be somewhat fixated on the art, literature and film of the past, rarely does anything post-1980 featured on these pages, and certainly not movies that I haven’t even seen yet. However, as the premise of Gaspar Noé‘s new movie, Climax, which recently premiered in Cannes, actually made me pause during my favourite early afternoon breakfast of Black Forest Gateau and original Irn-Bru, I decided to make an exception this one time.
Billed as a dance-horror movie (who knew there was such a thing?), Climax, which is apparently based on true events, tells the story of a young street dance troupe’s descent into collective madness after drinking the LSD-laced Sangria during the final rehearsal party, all filmed in Noé’s seizure inducing visual style and with his trademark horror-porno aesthetic. Described as The Red Shoes on literal acid, Step Up meets Salo and a Satanic DJ set, any minuscule reservations I had about leaving Chateau Du Cake to see this in the movie theatres when released are dispelled by the trailer, featured below.
The interplay of light was different, even the very air seemed different to Max. As they walked along the avenue, the horizon stretched out before them indefinitely. He could detect the curvature of the earth —meaning that if they carried on walking as did, in a perfectly straight line, they would eventually reach this point again. There was no end. They were two tiny specks scurrying across the crust of a tiny ball spinning in space. For the first time, Max understood, really comprehended, that the world was round.
A heat haze shrouded the street, as the sun slowly but perceptibly leeched away all colour from their surroundings. Margot had dug out a pair of sunglasses from her small black handbag. As Max raised his hand up to shield his eyes from the sun glinting off the windscreens of the speeding cars, he cursed himself for not showing the same foresight. Each flash of light was like a blade slicing into his pupils. Max felt as exposed as a shucked oyster beneath a half lemon, poised to be squeezed. Glancing at Margot, he noted that she was as composed as ever. Nevertheless, she must have realised —either by intuition or telepathy, perhaps— his distress, because she paused and raised an arm.
Almost immediately, a black cab pulled over and they climbed in.
‘Euston Station, please.’ Margot said to the driver.
The driver started the meter and turned around to face them.
‘Are you young folks catching the train to anywhere nice?’ he asked.
Max looked at him in bewilderment. He was young for a taxi-driver and although his English was good, he spoke with an accent, perhaps German? That wasn’t the strange thing, though. His features were sharp and angular, yet the planes of his face failed to intersect. It was quite unsettling.
‘Oh, not really, just off to Birmingham to visit some friends,’ Max answered, bemused that he had lied for no reason whatsoever.
‘OK then, what time is your train?’ the driver asked, as he started up the engine. ‘Traffic is quite heavy and it is cross-town.’
Max turned to Margot but she was nestled in the corner, staring out of the window at the passing pedestrians. Obviously, it was up to him to make conversation with the driver, who, with his accent and heavy dark jacket (in this weather!) looked like a member of the Gestapo or the Stasi.
‘No particular time. I mean, we haven’t booked it or anything. I believe they run quite frequently, though. Maybe every hour on the half-hour… or is it every half-hour on the hour and at half past? Something like that, anyway… I think. Besides, I am sure we will get to Birmingham before night-time.’
The driver nodded without turning his head. Max hoped this was a sign that he could now stop babbling nonsensically, as it was a real effort not to give himself away. Surely, the driver could tell that he was out of it. Max imagined that the driver wasn’t a taxi-driver at all. He certainly didn’t look like your archetypal, loud-mouthed, pink-shirted, London cabbie. Maybe he was a former Stasi agent freelancing. Max looked again to Margot who, this time, returned his stare after pushing her sunglasses to the top of her head.
She didn’t speak, but in his head he could hear her saying not to panic. ‘That’s the cardinal rule, never ever panic.’
Was it a memory? Telepathy again? Whatever the case, Max felt calmer. His hand sought Margot’s hand lying limply on the seat between them, and when they touched, she interlaced their fingers and gave his hand a good squeeze. There, there now, that was much better. Much, much better. He could relax a little, despite the taxi driver watching them intently in the rear view mirror. Max was tempted to tell him to concentrate on the road ahead instead of spying on them, but thought better of it. It probably wouldn’t help matters, might even further arouse his suspicions.
The driver started rooting around in the glove compartment when the taxi stopped at a blocked intersection. After muttering what Max assumed were a string of German swear-words, he exclaimed with evident joy upon finding whatever he was searching for.
The traffic still hadn’t moved when the driver lit up what Max now realised was a joint. He opened the sliding glass panel and offered the joint to Margot, who accepted with a ‘why ever not?’ and an innocently winsome smile. Her left hand remained nestled in Max’s right hand, thankfully. He desperately needed that contact. The puzzle of the driver’s face was still terribly unnerving. Perhaps in some other dimension, those angles would form a pleasing symmetry.
After a couple of drags, Margot asked the driver if she could offer the joint to Max. The traffic had managed to unsnarl itself and they were at last, moving again through streets Max didn’t recognise. The driver nonchalantly waved his hand and said, ‘of course, plenty more where that came from.’
Max took the joint in his free left hand and inhaled deeply. It was strong stuff and it immediately reinforced the effects of whatever hallucinogen Margot had slipped him earlier. After a couple more heavy drags, he passed it back to the driver.
‘Thanks, its good is it not?’ the driver asked, then added, ‘What are all these people doing here?’
‘Yeah, it was excellent, thank you,’ Max answered. He had presumed the remarks about the people were a rhetorical question until he noticed the dubious-looking mob gathering outside as they passed. What indeed, were they doing on such an unprepossessing street corner in this rather unfashionable and frankly, quite desolate part of London? After what seemed a day and age, the taxi pulled up into the rank at Euston Station.
‘Here we are now. It’s eighteen pounds ninety, but we can call it fifteen pounds flat because of that hold-up.’
‘Oh, that’s very generous of you, but really not necessary. After all, you did help the time pass smoothly,’ Margot answered as she disengaged her hand from Max’s and pulled out three ten pound notes from her purse. She handed them over through the panel.
‘Really this is too much,’ he protested.
‘Not at all, your customer service skills are second to none. I can honestly say that this was the best taxi journey of my life.’
‘Thank you very much. I knew you were nice people as soon as I saw you on the street. Enjoy your trip to Birmingham,’ he said, as they tumbled out of the taxi in rather a heap.
Max felt quite dizzy. Margot took his hand and guided him through the entrance to the station.
‘Just concentrate on me, Max. Pay no attention to anyone but me, otherwise you’ll be getting the fear. God knows anyone could get the fear in this hideous hole at the best of times, but I have you covered. Do you trust me, Max?’ she asked him, her voice gentle, her mouth sweetly smiling. Her face, he suddenly realised, was simply angelic. It was like he was seeing her for the first time over again. No. Not true. He had never really seen her before this moment. All the other times were fleeting glimpses from a distance.
He trusted her totally.
But why? Was this trust misplaced? Did he actually know her any better now than he did this morning? This feeling of complete identification and of an absolute, telepathic communication —wasn’t it just an effect of the drugs? But even if it was, as he looked around at the surging crowds with their briefcases and handbags, these forever unreadable and unknowable strangers, he realised that this tenuous connection was all he had. He didn’t hesitate for a second longer.
‘Absolutely, I trust you, Margot. You’re still a complete mystery, of course, but I…feel like this is destined to be.’
‘That’s the spirit; you are your father’s son, after all. Come let’s get something to drink. After that we can sort out tickets and the such-like.. Everything is going to be peachy creamy, isn’t it Max? My brave little soldier.’