Noir Ending

 

The Big Combo
The Big Combo

Here we go once again: better to start back at the beginning
Remember those days and nights filled with the glamour
When I locked our looks together I saw a door swing open
To reveal another door but not matter I was ready to stumble
Over the threshold with you on my shoulder a wonder
To marvel at vision shared doubled with intensity revelation
Of another more expansive world drenched in vivid colour
All the senses overloaded hyper stimulated the slightest
Glance of hand against the gold glimmering skin overwhelmed
Leading me to groan inside whenever I heard you gasp
Because I have always known how to ultimately disappoint
I learned over the years to savour the bitter fruits of betrayal
All the best movies have a noir ending when the credits roll
So this is us omega over and out amen: until the very next time

 

The Birthday

dorothea-tanning-birthday-1942[1]
The Birthday-Dorothea Tanning 1942
Max Ernst was intrigued when he first saw Dorothea Tanning’s enigmatic self-portrait, which he suggested should be called The Birthday; she agreed that it was an apt choice. After playing chess they fell in love, as Surrealist’s were wont to do. They married in 1946 in a joint wedding with Man Ray and Juliet Browner. They remained together until Ernst’s death in 1976. She would outlive Ernst by a further 36 years, living to the grand old age of 102, the last of the Surrealists.

A writer as well as a painter, Tanning’s memoir is entitled Birthday.