The Swiss artist H.R Giger stated that the initial impetus behind his early paintings (I to IX) in his Passagen (Passages) series was a recurring nightmare in which he found himself in a large room without windows or doors, the only opening being a dark metal hole obstructed by a large safety pin. After getting stuck while passing through this opening he would see a tiny point of light at the end of a long chimney, however he was blocked by an invisible power and he would be unable to move backward or forward with his arms pressed against his body, unable to breath, his only thought being, ‘Oh my God, why am I here?’.
In addition to the dream inspiration the later paintings in the series would feature re-workings of a photograph he had taken of a garbage truck in Cologne, Germany in 1971. Giger was fascinated by its representation of a ‘mechanical-erotic act’, which sounds reminiscent of J.G Ballard’s Crash.
Giger always considered himself a Surrealist and the Passages series. created from the dredging of the unconscious and chance encounter richly deserves to belong in the Surrealist canon. Minimal, obsessive and claustrophobic, it is a truly unsettling experience by a master of the macabre.