
One of Paul Delvaux’s (Dreams of Desire 38 (Night Train), Dreams of Desire 39 (Sleeping Venus) and Dreams of Desire 40 (The Girls from the Provinces) more macabre paintings, The Sabbath from 1962 shows a group of mysterious robed (and disrobed) women, who it is safe to assume are witches given the title, strike a variety of poses. The solitary male in the painting, a professor who has strayed from a Jules Verne novel into this sinister forest clearance stares fixedly into the mirror, doubtless trying to avoid the fate of Actaeon when he beheld the untameable beauty of Diana.