Intimacy

Rene Magritte-The Lovers 1928
Rene Magritte-The Lovers 1928

All you ever
All you ever wanted
All you ever needed
All you ever
All you ever looked for
Was that intrusion of intimacy
At first, maybe just a glance,
Then the fleeting touch
That lingers for a brief instance
Suggestive of a succession of eternities
Something yet still more
Than the fiction of painless friction
A sovereign surrender
A paradoxical return to the self
Urging to merge together
Indivisible diversity
Rushing towards a paradise
Of blissful annihilation
All we ever sought
All we ever
All we ever tried to find
In tired old hotel bedrooms
Where the leaky faucets
Taps out a tedious tattoo
On the cracked enamel
All we ever
Amongst the haphazardly scattered
Bricks of centuries old ruins,
Beneath a uniform sky
The very denial of colour
All we ever desired
On the encroaching beach
Torching the landscape
With its scorched earth strangeness
All we ever tried to do
In the wasteland littered
With bric-a-brac and detritus,
The untold story of a million lives
Struggle for pleasure,
Was to become intimate
To really feel someone other,
To escape the terror
However briefly,
Even for an instance,
Of the All-Seeing I.

All I ever needed
All I ever wanted
All I ever
Was your intimacy.

Dreams of Desire 67 (Lucien Clergue)

Lucien Clergue-Zebra Nude
Lucien Clergue-Zebra Nude

Despite the fact that Surrealism was involved in literature, illustration, painting, film, architecture, philosophy and politics, the area where it achieved its greatest impact and subsequent influence is undoubtedly the field of photography (see Dreams of Desire 2, 3, 21Angel and many others for examples of Surrealist and Surrealist inspired photography).

This influence can be seen in the nudes of the French photographer Lucian Clergue, who at the age of 21 in 1955 struck up a friendship with Picasso that was to last until the great modern master’s death in 1973. Clergue’s nude photographs often feature the zebra effect which creates a distancing coolness and abstraction to the exposed flesh. The model (or models) are defined by the interplay of light and shadow. In other studies the model is placed in natural surroundings where the body merges into the landscape in the manner of Magritte.