The beasts (A vivid bestiary indeed: Eerie condor atop a desolate eyrie; Aloof snow leopard alone in her Kingdom of Bones; Ravening wild dogs scouring the steppes; Scaled dragon protecting his hoard of gold; Fantastical drolleries, grotesque hybrids, Horrific metamorphosis, decanate aspects, Demonic synthesis, alien creations)
of my nature
At the end of their tether.
Maybe, in an act of self division,
I will let them off the leash
To mount a ceaseless attack
Upon the most dangerous of beasts:
Man, that mad animal.
I have chosen for the third in the series of Surrealist short stories a deliciously macabre tale by the wonderful English artist, writer and eccentric Leonora Carrington, who was also the subject of Max Ernst’s masterpiece, The Robing of the Bride.
In a reversal of a classic fairy tale theme, The Debutante tells of the lengths our heroine is prepared to go to in order to not attend a ball.
WHEN I was a debutante I often went to the zoo. I went so often that I knew the animals better than I knew girls of my own age. Indeed, it was in order to get away from people that I found myself each day at the zoo. The animal I got to know best was a young hyena. She knew me too. She was extremely intelligent, I taught her French and she, in return, taught me her language. In this way we passed many pleasant hours.
My mother was arranging a ball in my honour on the first of May. During this time I was in great distress for whole nights. I’ve always detested balls, especially when they are given in my honour.
On the morning of the first of May, 1934, very early, I went to visit the hyena.
“What a bloody nuisance,” I told her. “I’ve got to go to my ball tonight.”
“You’re very lucky,” she said. “I would love to go. I do not know how to dance, but at least I could make small talk.”
“There’ll be a great many different things to eat,” I told her. “I’ve seen truckloads of food delivered to our house.”
“And you complain!” replied the hyena, disgusted. “Just think of me, I eat once a day, and you can’t imagine what a heap of bloody rubbish I’m given!”
I had a audacious idea, and I almost laughed. “All you have to do is to go instead of me!”
“We do not resemble each other enough, otherwise I’d gladly go,” said the hyena, rather sadly.
“Listen,” I said. “No one sees too well in the evening light. If you disguise yourself, no one will notice you in the crowd. Besides, we are practically the same size. You are my only friend, I beg you to do this for me.”
She thought this over, and I knew that she really wanted to accept.
“Done,” she said all of a sudden.
There weren’t many keepers about, it was so early in the morning. Quickly I opened the cage and in a moment we were in the street. I hailed a taxi; at home, everyone was still in bed. In my room, I brought out the dress I was to wear that evening. It was a little long, and the hyena found it difficult to walk in my high-heeled shoes. I found some gloves to hide her hands which were too hairy to look like mine. By the time the sun was shining into my room, she was able to make her way around the room several times—walking more or less upright. We were so busy that my mother almost opened the door to say good morning before the hyena had hidden under my bed.
“There’s a bad smell in your room,” said my mother, opening the window. “You must have a scented bath before tonight, with my new bath salts.”
“Certainly,” I said.
She did not stay long. I believe the smell was too strong for her.
“Don’t be late for breakfast,” she said and left the room.
The greatest difficulty was to find a way of disguising the hyena’s face. We spent hours and hours looking for a way, but she always rejected my suggestions. At last she said, “I think I’ve found a solution. Have you got a maid?”
“Yes,” I said, puzzled.
“There you are then. Ring for your maid, and when she comes in we’ll pounce upon her and tear off her face. I’ll wear her face this evening instead of mine.”
“That’s not practical,” I said to her. “She will probably die if she hasn’t got a face. Someone will surely find the corpse and we’ll go to prison.”
“I am hungry enough to eat her,” the hyena replied.
“And the bones?”
“As well,” she said. “So, its on?”
“Only if you promise to kill her before tearing off her face. It’ll hurt her too much otherwise.”
“All right. It’s all the same to me.”
Not without a certain amount of nervousness I rang for Mary, my maid. I certainly wouldn’t have done it if I didn’t hate having to go to a ball so much. When Mary came in I turned to the wall so as not to see. I must admit that it didn’t take long. A brief cry, and it was over. While the hyena was eating, I looked out the window. A few minutes later, she said, “I can’t eat anymore. Her two feet are left over still, but if you have a little bag, I’ll eat them later in the day.”
“You’ll find in the wardrobe a bag embroidered with fleurs de lys in the cupboard. Empty out the handkerchiefs you’ll find inside, and take it.” She did as I suggested. Then she said: “Turn around now and look how beautiful I am.”
In front of the mirror, the hyena was admiring herself in Mary’s face. She had nibbled very neatly all around the face so that what was left was exactly what was needed.
“You’ve certainly done that very well,” I said.
Toward evening, when the hyena was all dressed up, she declared: “I really feel in tip-top form. I have the feeling that I shall be a great success this evening.”
When we had heard the music from downstairs for quite some time, I said to her, “Go on down now, and remember, don’t stand next to my mother. She’s bound to realise that it isn’t me. Apart from her I don’t know anybody. Best of luck.” I kissed her as I left her, but she did smell very strong.
Night fell. Tired by the day’s emotions, I took a book and sat down by the open window, giving myself up to peace and quiet. I remember that I was reading Gulliver’s Travels by Jonathan Swift. About an hour later, I noticed the first signs of trouble. A bat flew in at the window, uttering little cries. I am terribly afraid of bats, I hid behind a chair, my teeth chattering. I had hardly gone down on my knees when the sound of beating wings was overcome by a great noise at my door. My mother entered, pale with rage.
“We’d just sat down at table,” she said, “when that thing sitting in your place got up and shouted, ‘So I smell a bit strong, what? Well, I don’t eat cakes.’ Whereupon it tore off its face and ate it. And with one great bound, disappeared through the window.”
The Shooting Gallery is a haunting series of lithographs by the enigmatic Toyen, portraying a young girl wandering in a strange and ominous world of dislocations; especially in size and scale. To my mind The Shooting Gallery appears to be a particularly sinister Surrealist sequel to the Alice books.