Inferno

Sandro Botticelli-Map of Hell circa 1485

Dante’s Divine Comedy is one of the  undisputed masterpieces of world literature and the crowning achievement of the medieval world-view. Representing the allegorical journey of the soul through the three realms of the afterlife, Inferno, Purgatory and Paradise, the Comedy offers a series of vividly dramatic scenes that has ignited the imagination of artists throughout the centuries, especially the unforgettable voyage through the seven circles of Hell, where Dante with his guide Virgil hear the stories of sinners as they undergo the eternal torments of the damned.

Sandro Botticelli produced a number of exquisite silverpoint illustrations, probably commissioned by Lorenzo De Medici during the latter years of the 15th Century, however the project was never completed. William Blake taught himself Italian to be able to read the Comedy in the original and spent his final days feverishly working on a series of sublime watercolours. Gustave Dore’s sombre and majestic otherworldly etchings are probably the greatest completed visual rendition of Dante’s narrative. In the twentieth century Tom Phillips produced a unique take in his limited edition of Inferno.

Below are examples of the four artists work based around episodes set in the Inferno. I have also included  Stockhausen’s Luzifers Abschied, which has to rank as the strangest, most left field, left handed experimental piece of music (or any other media, for that matter) included in Cakeland; just in case anyone wants to really immerse themselves in the infernal atmosphere of the artworks.

Sandro Botticelli-Illustration for Inferno circa 1485

William Blake-The Inscription over the Gate 1824-7

William Blake-The Simoniac Pope 1824-7

Gustave Dore-Lucifer 1861

Gustave Dore-Traitors 1861

Tom Phillips-Canto XIX 1981

Tom Phillips-Canto XIV-1982