The Dog is one of the fourteen Pinturas Negras (Black Paintings, see Painting It Black) that Goya painted in his house outside Madrid towards the end of his life. The Dog conveys a sense of sublimity, terror and an unbearable pathos with an enviable simplicity.
The painting is divided in two unequal parts: a dirty ochre above and a dark brown below. There has been much debate regarding the origin of the shadow to the right of the painting, and whether it is intentional, however it probably was the previous design on the wall which Goya painted over. Staring upward into the vastness of the sky is the dog, alone and apparently sinking into the quicksand of the earth. All the heart-break and despair involved in terrestrial existence is concentrated in the expression of mute appeal of the dog as he searches the heavens for a sign of a return of his varnished master.
The Dog has been called the first Symbolist painting and was held in particular high regard by Picasso and Joan Miro.
cakeordeathsite 
Mr. Cake as you know, “The Dog” is my favorite of the “Black Paintings”, it’s almost impossible to view this, and not feel like you’re going down with the dog. Perhaps even the underdog. I think what is very interesting is the color palette that Goya used for his “Black Paintings”. Oddly enough, these are primarily warm colors, the browns, which most people will find visually engaging, without understanding why. So while you are viewing something disturbing at the same time you are mesmerized by it. Another wonderful post. ~ Miss Cranes
LikeLiked by 1 person
Thank you, I agree with you about the empathy with the dog. I hinted at possible symbolic and metaphysical interpretations because it does feel that Goya here is saying a lot more than what is shown. It is sublime.
LikeLiked by 1 person
You’re welcome Mr. Cake. I think if someone where to spend more time with these paintings, they may even reveal and tell a story line in their entirety. We know the paintings contain personal commentaries and narratives about the artist, his visions, his surroundings and his mental and emotional state of mind. We know that they were personal to him, and we know that he was perhaps being extremely vulnerable in the act of creating these painting, so much so that they were not intended for the public eye. Does this make them all the more endearing, I think so.
LikeLike
This is a fantastic painting. And it is terrifying. Although the shadow may be unintentional, it certainly adds an element of mystery. What I see is this: Either the disappeared master, to whom the dog looks for direction or rescue. Or the shadowy essence of a cruel onlooker who walked away while the dog is relentlessly consumed by the quicksand. Amazing and awful all at once.
LikeLiked by 3 people
Thank you, how he managed to convey those three elements that I mentioned: the sublime, terror and pathos so simply is amazing. Thank you for your comments
LikeLiked by 1 person
You’re welcome. As always, it’s my pleasure.
LikeLiked by 1 person
I’m awestruck. (Had I seen this post before, I would have referred to it in my later one -or perhaps not written it at all.) Anyway, I am glad we hold the same opinion about the dark shadow to the mid-righ side. It’s also reassuring that we express similar feelings about Goya’s intention and about the Dog itself.
I will have to read everything here prior to publish anything else, since I see you’ve dealt often with visual arts and painting in particular.
A kiss and my best regards 💋 💐
LikeLiked by 2 people
Thank you though please carry on posting regardless of whatever I say, I just make it up as I go along. I like writing about the visuals arts and a good 66 percent or so is about painting or photography, the rest is literature, occult and mythology, then my own fiction and poetry, hopefully it forms a fairly cohesive whole (I am a systemiser, something I never realised until I started this site). I will send you my other Goya posts, one of my favourites.
LikeLiked by 1 person
Ha ha! I would say that about 2/3 of my blog deal with the visual arts as well (painting, illustration and photography); the rest is literature (translations of German and Romani poetry into English, and of English poetry into Catalan) and personal memories. My own fiction -which was one of the first reasons for starting the blog- is still very scantily present (just one tale -a fairy tale- and a very short poem, to this day).
My affection to the visual arts comes from both of my parents, who were very cultivated persons and walked us trough unaccountable monuments, museums and exhibitions.
As for the tarot I’ll answer you on the other post.
Oh… And “Saturno devorando a sus hijos” is certainly an amazing painting, and I agree with what you comment on your post about it.
LikeLiked by 1 person
Thank you I am glad you agree
LikeLike
https://cakeordeathsite.wordpress.com/2016/10/21/painting-it-black/
LikeLiked by 1 person
https://cakeordeathsite.wordpress.com/2017/05/04/the-sleep-of-reason/
LikeLiked by 1 person
Amazingly modern in regard of the time it was created!
LikeLiked by 1 person
Goya, last of the old masters and first of the moderns. Brilliant.
LikeLiked by 1 person
I am infatuated with this painting. My impression is of fear, buried in darkness the dog cannot escape and I think of helplessness. Perhaps he represents a society ruled by the elite, or Goya’s own emotions at being left deaf. So intriguing and so brilliant.
LikeLiked by 1 person
Thank you Miss Heart, it is indeed a brilliant and intriguing painting. There is a lot of social commentary in the Pinturas Negras, and the sense of isolation is overwhelming. A lot to ponder on and think about.
LikeLiked by 1 person
Indeed, thank you Mr. Cake.
LikeLiked by 1 person
My pleasure and thank you for the thought provoking comment.
LikeLiked by 1 person
I’m speechless with this painting…
LikeLiked by 1 person
A painting that approaches the essence of the sublime.
LikeLiked by 1 person
Yes, sublime is the word!
LikeLiked by 1 person