Even by the standards of David Lynch the Surrealist sit-com (with Noir accents) Rabbits from 2002 is startlingly bizarre. First released as a digital web series of 8 short episodes with a total run-time of 50 mins and later edited and re-released as a DVD of 42 mins, Rabbits features Scott Coffrey, Laura Elena Harring and Naomi Watts as Jack, Jane and Suzie, a family of humanoid rabbits who reside in a nameless city deluged with constant rain and who live with a fearful mystery.
The setting is a dismal living room which we will never leave. Suzie is ironing a piece of clothing which she will constantly iron throughout the movie, apart from the times when she leaves to summon (or exorcise) a demonic presence that appears in the wall and talks in a harsh and unintelligible language. Jane wears a dress and sits on the couch. Jack wears a suit and is the only one to regular leave the apartment. Whenever a character enters the apartment canned applause bursts out. Another alienating device is the use of a laugh track at random and often wildly inappropriate moments. The dialogue is oblique, to say the least. Clipped phrases, both banal and portentous, reminiscent of Samuel Beckett or Alain Resnais’s art house classic Last Year In Marienbad, are followed by long pauses then a non sequitur, which gives the impression that if it was ordered just so everything would fall into place. All three characters have a solo piece where they recite abstract poetry that has tantalising references to dogs and dark smiling teeth.
Rabbits is short movie where nothing happens yet is redolent with atmosphere, helped by a dank soundtrack by frequent Lynch collaborator Angelo Badalamenti. Oppressive, shot with a dark humour, sometimes boring but always terrifying, Rabbits was used in a study by University of British Columbia to induce a feeling of existential crisis in subjects.