The German artist Max Ernst who has been the subject of a number of posts here, was one of the key figures linking Dada to Surrealism. A founding member of Cologne Dada in 1919 Ernst titled himself Dadafex Maximus; Dadamax for short. Ernst experimented with photomontage during this period, the favoured medium of the Dadaists, before switching to collage and painting. Moving to Paris in 1922 he was a prime mover of the transitional period between the dissolution of Paris Dada and the start of Surrealism proper in 1924 with the publication of the First Surrealist Manifesto, known as the mouvement flou.
Above and below are works created in the Dada period, including The Elephant Celebes of 1921, a painting that combines the dreamlike composition of De Chirico with Dada collage techniques and thus anticipating the style so favoured by later Surrealists.
I’m pleased that you have chosen to return to the subject of Dada and surrealism art. I hope to backtrack to your previous posts and return to this amazing series of paintings and the unsurpassed Max Ernst.
LikeLiked by 1 person
Thank you…Ernst is one of my favourites who had a long and very productive career spanning Dada and Surrealism. I am glad you enjoyed and I look forward to your opinion.
LikeLike
A wonderful compilation Mr. Cake, surreal yet they reflect deliberate thought, a rebellion against convention. A delightful study.
LikeLiked by 1 person
Ernst was a very innovative artists, provocative yet mystical. A Cake favourite of who I never tire.
LikeLiked by 1 person
I can certainly understand that, a provocative and exceptional artist.
LikeLiked by 1 person
Yes, plus he was Superior of The Birds!
LikeLiked by 1 person
He had that going for him as well.
LikeLiked by 1 person
That certainly helps.
LikeLiked by 1 person
I’m quite impressed, I have a strong affinity for birds.
LikeLiked by 1 person
He had a birdlike visage…he hypnotized women with his eagle eyes.
LikeLiked by 1 person
Having seen his photograph I can believe that.
LikeLiked by 1 person
Both Leonora and Dorothea were stunners and seriously talented . I always felt sorry for Peggy Guggenheim (his third wife), he was still in love with Leonora when he married her and then he met Dorothea.
LikeLiked by 1 person
Complicated and sad.
LikeLiked by 1 person
Yes indeed. I think Dorothea and Ernst where very happy though, they were married for around 30 years.
LikeLiked by 1 person
A happy ending I hope.
LikeLiked by 1 person
Yes I believe so. His Second French period are serene, cosmic and beautiful.
LikeLiked by 1 person
I hope visit his works from that period, that is lovely.
LikeLiked by 1 person
Ernst is the gift that keeps on giving…still so much more to write about, including the brilliant collage novels.
LikeLiked by 1 person
Max Ernst, simply brilliant. Thank you for this compilation.
LikeLiked by 1 person
No problem, my pleasure actually as Ernst is simply brilliant as you pointed out. Glad you enjoyed.
LikeLiked by 1 person
I’m trying for the third time to comment… your blog has been denying me!
Max Ernst is one of my favorites. Each bizarre detail just begs for study and interpretation. Blurring the lines between organic and mechanical too. Just superb!
LikeLiked by 1 person
Very strange…must be a glitch. Dada was very big on biological/mechanical hybrids and Ernst was very big on hybrids in general what with him being Superior of the Birds and all. You can see the vision and the development in these early works. Glad you enjoyed!
LikeLiked by 1 person
Very much! And yes these early works foreshadow things to come. So interesting to see an artist’s evolution. Max is a master.
LikeLiked by 1 person
Indeed.
LikeLiked by 1 person
Funny that elephant. It graced the cover of the first cheap paperback edition of Maldoror I ever bought, somewhere in Paris, aged about 16.
LikeLiked by 1 person
I have seen the cover though my edition doesn’t have it. I first saw this painting in a magazine called The Unknown when I was ten. Haunted me ever since.
LikeLike