Subtly terrifying, Rene Magritte’s La Condition Humaine uses the picture within a picture device that was to become a Magritte trademark. The painting is realistically banal, showing a painting by a window that is an exact representation of the obscured landscape. Or is it? Is the human condition the fact that we are trapped in the realm of appearances and any attempt to tear asunder the veil will reveal only another deceptive surface without any depth?
Magritte was characteristically unrevealing in his comments on the painting:
‘In front of a window seen from inside a room, I placed a painting representing exactly that portion of the landscape covered by the painting. Thus, the tree in the picture hid the tree behind it, outside the room. For the spectator, it was both inside the room within the painting and outside in the real landscape.’