X Marks the Spot

Gerhard Richter-Grey House
Gerhard Richter-Grey House

It hadn’t stopped raining for a moment since his arrival in Eden Falls. The days (if the pale pearl grey light could be classified as day) and the white, starless nights were considerably longer than in most standard regions, clocking in around 36 hours, undoubtedly controlled by decanates and/or Janus-faced daemons. Looking out from one of the innumerable windows, the Melancholy  Lieutenant automatically defined the constant drizzle and mizzle as culchie soft rain, however in his attempts at surveying the territory he soon realised that the very sky looked to deceive. Drenched to the skin and bone he would beat a hasty retreat long before reaching the end of the drive that appeared to lead nowhere, crazy zig-zagging across the arsenic green fields to suddenly stop against a lone oak, a lookout for the massed ranks of its brethren in the faraway forest.

So the Melancholy Lieutenant would while away the time investigating Eden Falls. Up stairs and through corridors he walked, opening doors that led to rooms of angled mirrors or vast chandeliered ballrooms empty apart from a solitary upright piano, past endless colonnades interrupted by the regular statuary procession of mounted tyrants, down steps that finished in mid-air. Somewhere in this maze there must be a clue to the exit, he thought doggedly, determined to be re-united with the Ingénue.

He discovered a room full of globes and atlases, a Map Room of a Victorian gentleman. However the maps were just diagrams and architectural plans with a scale of 1:1, of no longer existing wings and hastily abandoned extensions of Eden Falls. The library seemed to contain a hint of promise, but most of the books were written in Chaldean or Etruscan or Babylonian, or even Agarthaen or Enochian or Lemurian.  The pop-up books contained only cleverly designed miniature 3D versions of rooms he had already trudged through.

That left the jigsaw puzzles that every drawer in the building (be it palace or sanatorium or mental asylum or hotel) seemed to contain. The picture on the outside of the box was always misleading, unsurprisingly enough, he thought.  It was never a street or circus scene, never a Cezanne or a Monet, it was forever the labyrinth of Eden Falls. He had almost given up hope when he found a puzzle that appeared to have a pattern on both sides, though the backside was just two-tone black & white. At least it won’t be another illustration of a prison, he thought, as he began to pierce the ten thousand and one pieces together.

With mounting excitement and dread he realised, as the pieces fall into place, that this was the message he had been waiting for. But what if he didn’t like what it had to say? Perhaps it was a trap set by Le Bateleur? No matter, he had to carry on.

As soon as the Melancholy Lieutenant triumphantly slotted the last tile into place and began to scan the writing, he heard a phone ring out. He hadn’t seen or heard a phone during the entire duration of his time in Eden Falls. Trying to quell his panic he decided to concentrate on the message contained in the puzzle, because something was definitely now happening and what other options did he have?

X marks the spot

You are here

X

But where you should be

Is the other side

Don’t pick up                                                                          Run run double quick

Abra-Xas

\\\\\3-6-5/////

That is that then, he decided, though he never had any intention of picking up the incessantly ringing phone anyway. The warning of the message posed further disturbing questions, but those could wait. It was time to go. He located and grabbed his kit-bag (always packed in case of emergencies and sudden departures) and ran out into the rain.

He kept on running until he had reached the oak that marked the end of the pointless driveway. Pausing for a moment he couldn’t resist a look back at the building, which flickered briefly out of focus, before fading away totally. That gig was up, the nixer nixed, Eden Falls was 86’ed.

The Melancholy Lieutenant, turning his collar to the cold and damned, headed towards the forest, searching for the deepest cover.

15 thoughts on “X Marks the Spot

  1. I thoroughly enjoyed reading this; the intrigue and mystery wonderfully balanced. I like the fact that there is space for the imagination to breathe which is down to well paced writing.
    A slice of Calvino, a pinch of Kavan and a touch of Kafka.
    Great work!

    Liked by 1 person

    1. Thank you I will certainly take the compliment. Although it is a stand alone piece it is also part of a what is increasingly looking like a series which started with Showtime. Glad you liked the pacing, something I have a problem with (along with characterisation and dialogue, I tend towards Symbolism which is static, archetypal and interior) so it is nice to get it right. But I do look thriller and noir. I love being placed it such exalted company!

      Liked by 1 person

  2. Excellent. 1:1 scale! I’d love to see that…. Love the building tension and how it kicks up a notch with the ringing phone and ending with the message to run. The mark of good writing is when you leave the reader wanting more! So more, please!

    Liked by 1 person

  3. I too liked that little detail of maps at 1:1 scale.
    Has he truly escaped I wonder?
    I have a dream a little like this, starting with looking from the window of a big house, as if into twisting dimensions.

    Liked by 1 person

    1. Thank you Kestrel, I am all for the little details (so much so that I forget the bigger picture and stuff like correct grammar and proper punctuation). Has he escaped? That is a question. Dreams are my biggest source of inspiration. Glad you enjoyed.

      Liked by 1 person

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