Prayer

Man Ray-Prayer-1930
Man Ray-Prayer-1930

The ground-breaking, innovative American photographer and painter Man Ray was another Surrealist affiliated artist who constantly referenced the life and work of the Marquis De Sade (see Illustrating the Divine Marquis for further examples of art inspired by the Divine Marquis).

As well as the art that explicitly points to the Marquis as a source, notably 1933’s witty and scandalous Homage to D.A.F De Sade, the brilliant Imaginary Portrait of 1936 and the geometric surrealism of Aline et Valcour (a nod to Man Ray’s favourite novel by De Sade), there are pieces that invoke the spirit of De Sade, especially the photograph Prayer from 1930.

As always with Man Ray’s photographs, Prayer is brilliantly composed with stark contrasts between the absolute, hushed and sacred darkness that frames and throws into sharp relief the lunar luminosity of the body ‘praying’ on the grubby bed. Wilfully blasphemous and perversely sacrilegious, Prayer highlights the still radical proposition of De Sade’s that the body, and the body alone, is the nexus of desire and the locus of all human motivation.

Man Ray-Homage to D.A.F De Sade 1933
Man Ray-Homage to D.A.F De Sade 1933
Man Ray-Imaginary Portrait of De Sade 1936
Man Ray-Imaginary Portrait of De Sade 1936
Man Ray-Aline Et Valcour 1950
Man Ray-Aline Et Valcour 1950

12 thoughts on “Prayer

    1. Praying is a vulnerable position… knees bent, head down, eyes averted. I think it is meant to be sacrilegious, as the Marquis said ”tis sweet to scandalise. More about Aline and Valcour later.

      Liked by 1 person

Leave a comment