A late and possibly the greatest of the Symbolists, the Norwegian Edvard Munch was a major precursor of Expressionism. Visiting the National Gallery of Norway in Oslo which houses a collection of his paintings is an unsettling experience. Munch’s work possesses an neurotic intensity unparalleled in Western art and seeing them side by side you become aware of his unhealthy fascination and dread of women.
This is best seen in his 1894 painting Madonna which is a very unusual devotional painting to say the least. The pose of the Madonna is sexually provocative, her halo is a dangerous shade of red and in addition to the virgin/whore dichotomy there is the suggestion that the Mother is also a vampire. All in all a stunning glorification of decadent love.