Born into a fading aristocratic dynasty in Cork, Ireland, Bob Carlos Clarke was frequently referred to as ‘Britain’s answer to Helmut Newton’ (see Dreams of Desire 55 (Helmut Newton) for his provocative nude portraits which often featured the subjects wearing rubber and latex and involved in scenes suggestive of sado-masochistic ritual. Along with Newton he is the best exemplifier of what was known disparagingly as ‘porno-chic’.
After an unhappy childhood spent in boarding school in England Clarke had a hard time re-adjusting to 60’s Ireland, as he wryly noted in the introduction to his book Shooting Sex (2002), “The first decade was OK, but later it was no place for a libidinous adolescent, particularly a withdrawn Protestant boy in a land where all the hot talent was Roman Catholic and strictly off-limits” and he moved to England in 1970 where he became a photographer quite by chance. When he discovered that the girl at college whom he had an unbearable crush on was a model he brought a camera so that she could pose for him. It worked and he would later marry the model Sue Frame, however the union didn’t survive Clarke’s constant infidelities.
He would later marry for a second time to another one of his models, Lindsay, with who he had a daughter Scarlett. As well as his overtly sexual photographs Clarke also took extraordinary and voyeuristic documentary style photographs of drunken debutantes balls and images of found objects discovered on the banks of the river Thames.
In 2006 at the age of 56, Clarke, depressed with growing older in a world where the models remained forever 21 and by the emergence of digital photography of which he said made everyone think they were the next Cartier-Bresson (Dreams of Desire 50 (The Decisive Moment), threw himself beneath an oncoming train.