
Another troubling erotic reverie by Paul Delvaux, that features a trademark sensuously reclining nude against an oppressive night-time setting. Delvaux later explained that it was painted during the wartime Nazi occupation of Brussels and he wanted to contrast the anguish of the period with the calm of Venus.
Also notable is the presence of the skeleton, another frequent motif in Delvaux’s work, and references the Death and the Maiden theme that has been a feature of Western Art since the Renaissance and is related to the memento mori and vanitas genres.
It is really great. He gets his point across. All the light is on the Venus, a good contrast of life and death. The woman in the foreground seems to be reaching for the moon. I love it. .
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Thank you very much, yes it is one of his best. Also refers back to some of my favourite genres.
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Of all the artists you’ve featured, I think I like this guy best. That is saying a lot!! For me 🙂
Keep up the awesome blogs Cake!
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Thank you Christine, glad you enjoyed.
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Oh yes, this is so very strange. The women reaching up to the sky look so anguished when the sleeping woman and the clothed woman are so unaffected. And then the walking skeleton. So weird. Thanks for posting it!
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No problem, I am glad you enjoyed. You know I like strange. I may do a post on memento moris and vanitas paintings at some point
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I like strange too. Normal is boring, lol. You should post anything that interests you, I’m sure I’ll love it!
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Thank you very much you are too kind.
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Again another wonderfully odd painting by Delvaux, especially with the mountains completely surrounding the courtyard as though the buildings are just cut outs, I like it. Eerie how much light the sliver of moon is putting out, and where’s the train? At first glance this appears serene, but looking at it in depth, there is so much going on. Wonderful painting choice to post about, lovely as ever.
~ Miss Cranes
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Thank you Miss Cranes…I love the stillness in his paintings…and the Venuses!
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You’re most welcome Mr. Cake. Venuses… what would Freud say?
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Polymorphous perversity probably
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It looks good in paint! 😉
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Indeed it does
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I prefer oil, that way you can enjoy the fumes.
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I remember the Summer of Glue Sniffing
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Hahahahaha! Headache!
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Never been the same since
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Better of course!
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Hmmm not sure about that
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Now, who’s being funny?
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I am always very droll Miss Cranes
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You have no idea how much your statement made me smile.
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Thank you Miss Cranes I am glad I made you smile…I have another Delvaux post up.
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Wonderful, I will be over shortly.
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Reclining nudes then… plus a skeleton how can you go wrong.
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I don’t think you can.
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You can’t
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Hurry get the thick black brush! 😉
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Your funny
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You think?
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Yes I do
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In that case I have something funny to tell you. 😉
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Pray tell
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Such strange contrasts – death, anguish, despair and the central figure in restful sleep. The clothed woman is utterly expressionless despite the fact that the skeleton mirrors her pose. As in – if the skeleton were turned toward us, they would be in the exact same pose. Really cool! More please!
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I plan to do one more on Delvaux then a post or two on memento moris and vanitas… oh and work on Tempting Fate and another one on Sade
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Fantastic. I want to write another Divine Marquis school of writing post next week. Perhaps I’ll link to your bio of him with the Man Ray painting… And Tempting Fate? For Saturday? The November Nonsense ends tomorrow! Things can return to ‘normal’
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Hopefully Saturday… the link would be very nice thank you
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My pleasure on both accounts.
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The pleasure is all mine
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Half mine…
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Pretty much all mine
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Love the skeleton and the finger nail moon with the outstretched hand striving to pluck it from the sky. I like the late Renaissance / Canaletto perspective too.
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It is a nice mixture of Classical and Surreal indeed.
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I should add ‘those lovely Dutch interiors’ but without the mirrors!
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But an interior isn’t an interior without mirrors
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I was thinking more of the perspectives of the black and white flagstone floors than the walls: but I know exactly what you mean.
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I am just very fond of mirrors, I get your point regarding the flagstones though.
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I really like this painting Cake!
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Thank you very much… I try my best to have good artwork for this series
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Well, you’ve succeeded Mr. Cake 😉
You figured out who this is right….?
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Hmmm I have an idea but I am a little confused
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Confused Cake? Is that like an…upside-down cake?
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Yes or just a mess
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It’s me Mr. Cake! Miss Insidious 🙂 My temptation turned into a craving.
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I thought so, the male avatar was throwing me off.
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I’m just going to leave that one alone Mr. Cake. My baser instinct wants to type a witty comeback to what you’ve just typed, but I am practicing good manners.
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Told you I was confused… glad that you are back Miss Insidious.
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That was supposed to make you giggle.
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It is
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Oh wow! Amazing. And I don’t find the night oppressing so much as the towering columns surrounding them. Fascinating.
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The atmosphere with the columns and the mountains is oppressive, a previous comment mentions the stagey nature of the buildings that also adds to the feeling of foreboding. Thanks Em
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I like Delvaux. He’s been forgotten a bit in recent years, but he remains a great painter.
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He has, though I hear that prices for his work increased considerably in the the first decade of this century as the Russian oligarchs value his work highly. I love his work because he created a very strange and eerie dreamworld. Thanks for the comment.
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‘Welcome.
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