A leading Berlin Dadaist (and therefore a card-carrying member of the Communist Psrty) and one of the most notable of the New Objectivity (Neue Sachlichkeit) artists, Georg Grosz’s satirical caricatures remain unsurpassed for their chilling clarity of vision and unflinching brutality of execution.
Portraying the Weimar Republic as a society mired in decadence and corruption, Grosz’s paintings and drawings are populated by prostitutes, gamblers, perverted millionaires, bloated generals and fat-cat bankers. In 1926’s Eclipse of the Sun the dollar has obscured the sun, however the over-decorated general is receiving whispered advise from the top-hatted banker while the ‘suits’ complete the necessary paperwork so no need to worry. A blinkered donkey is advancing along a gangplank towards a shredder stuffed with money (a probable reference to the hyper-inflation that Germany was experiencing, where it was cheaper to burn money for fuel than to buy firewood). Down below people are trapped next to skeletons. Perhaps there is a need to worry after all.