Joseph Cornell-UntitledIn the early 1930’s a young salesman who lived on Utopia Parkway, Queens, while browsing in a bookstore, as was his habit when he had some spare time, came across a book that was to forever change his life . It was Max Ernst’s collage novel La Femme 100 Tetes, and from it’s marvellous pages, the shy and dreamy young man, whose name was Joseph Cornell realised that you didn’t have to be a trained painter to be an artist; art could be made out of everyday objects with the aid of a pair of scissors and a pot of glue. Inspired Cornell would create collages late at night after his mother and his beloved brother Robert, who had cerebral palsy and Joseph cared for, went to bed.
From collages Joseph Cornell went on to assemble his fabulous, intricate glass-paned shadow boxes that create in miniature beautiful and sublimely mysterious dream-worlds.
The above collage conveys Cornell intense and yearning romanticism. Although in many respects Cornell had a highly successful artistic career and everyone in the art world would visit Cornell when in New York, he remained a reserved and reclusive figure. He never married and remained in his mother’s modest house on Utopia Parkway until his death in 1972.
I love those shadow boxes and how he uses the every-day found object / image, but also at times references art history (“the canon”). Here is a link to one I like, “Untitled (Medici Princess)” from 1948, in a private collection. Not an expert, I have no idea of its authenticity, (I mostly research Japanese art and 19th c expositions), but find this interesting.
(from Web Museum, photographs by Mark Harden: https://www.ibiblio.org/wm/paint/auth/cornell/cornell.medici-princess.jpg)
The Medici Slot Machine boxes is a wonderful series. His work is mysterious, beautiful and dreamy, plus I love that he just created these wonderful boxes of his own accord and fashioned a personal mythology. I am worried now as you are an expert that you will come across my one post on Japanese art (I now very little about it but it tries in with some posts on decadence). Thank you for the comments and support
Oh fun! I’ll look for your post — but no worries and no one can know everything about anything! I suspect your comments are insightful. Frankly, sometimes the “non-expert” — like my students — is likely to see something we have been “trained” away from noticing.
The Dream of the Fisherman’s Wife-Hokusai 1814Hokusai’s ukiyo-e (pictures of the floating world) woodcut design for the three volume collection of …
Dreams of Desire 26 (Pictures of the Floating World)
erotica,felicien rops,the dream of the fisherman’s wife,japanese art,octave mirbeau,anime,edo period,shunga,picasso,octupi,hokusai,ukiyo-e https://cakeordeathsite.wordpress.com/2016/08/26/dreams-of-desire-26/
I love those shadow boxes and how he uses the every-day found object / image, but also at times references art history (“the canon”). Here is a link to one I like, “Untitled (Medici Princess)” from 1948, in a private collection. Not an expert, I have no idea of its authenticity, (I mostly research Japanese art and 19th c expositions), but find this interesting.
(from Web Museum, photographs by Mark Harden: https://www.ibiblio.org/wm/paint/auth/cornell/cornell.medici-princess.jpg) I just realized there is also a “Medici Boy” https://www.wikiart.org/en/joseph-cornell/untitled-medici-princess-1948. Thanks so much for your post, it’s interesting to read about how the novel was such a catalyst for him.
Max Ernst did several collage novels, they have been seen as precursors to the modern day graphic novel. Ernst used Victorian illustrations for his collages to startling effect.
Thanks, I had no idea. Very interesting, I’ll look into it. Are you an art historian? From your writing I imagine you could be, but may be in literature.
No, not an art historian or literature professor, I actually left school at 16. I really like art and literature among other things and I am a mine of useless information. Plus I love the surrealists.
No, I like Japanese art but I try not to stray too far from my central theme which is Surrealism, the influences on Surrealism i.e. Symbolism/Decadence and Modernism. Well apart from my own fiction/poetry. It is a big enough topic without covering areas which I am unfamiliar with. Oh actually I did a post on a Japanese Surrealist and I think I mentioned Mishima in a story.
Untitled-Kansuke Yamamoto 1950This arrestingly erotic image from the Japanese photographer Kansuke Yamamoto shows that, far from being a purely …
Dreams of Desire 27 (Super-imposed)
non-conformity,nude,rebellion,erotic,sensual,surrealism,tokko,kansuke yamamoto,photography,japan https://cakeordeathsite.wordpress.com/2016/08/26/dreams-of-desire-27/
Well, you write such interesting posts so well, it rather proves a theory of mine: sometimes vocation destroys the joy of an avocation. I just read #26, the Fisherman’s Wife — again, thanks for the information–I had not realized Picasso made a version. I’ll be sure to show that next time around I teach about Japanese prints’ impact in Europe. (not useless information!) A friend of mine wrote her dissertation on the shell divers (“ama”) — it was a while back, but I think she talked about the fetishization of them / their occupation. I’ll take a look and send you a link if you like.
Yes please. I don’t really know much about Japanese art and the image is certainly striking to have come from that period. I do know a bit about about the perception of the Far East in late 19th literature which images like this would have fed.
She mentions the same print, too. She probably published more academic work, but I am not sure where. We are still in touch if you want to know more and don’t find it easily.
A nice variation on your series. This is lovely. And an interesting (almost heartbreaking/heartwarming) story of the artist. I hope you write about the shadow boxes, too.
You mentioned Joseph cutting and pasting with a pot of glue to create his art. How much of that could an artist do before the original artist (say the photographer who created the image for a magazine) would be upset about it. Or for example in the case of the girl with the braid, did Cornell need permission to use the ‘girl with the braid’ or is it his own photo?
Hmmm good questions…Max Ernst used illustrations from Victorian fictions so copyright was probably not an issue. I do not think this was a photo taken by Joseph (doubtful considering his extreme shyness and the reverence that he shown towards women), he scoured five and dime stores and secondhand shops for images to go into his collages and later boxes. He would often buy a book just to cut out an image. Copyright never seemed to be an issue that I know of. The juxtaposition is the thing with collage, taking an image and giving it a radical new meaning ( that is best case scenario, of course.) Surrealism has been frequently criticised for its use of collage, as it is a means of endlessly recycling worn out and tired ideas and is ripe for recuperation in the Situationist sense.
Ok, I wondered. The less ‘in tact’ an image reused, the better, I’m sure. Like taking just an eye or an arm or leg, for example. It’s an interesting approach to creating, recreating. Thanks for the explanation.
Well Marcel Duchamp took a reproduction whole of the Mona Lisa, drew a moustache on her labelled it L.H.O.O. Q ( she has a hot ass). It caused controversy but not about copyright, after all it was mass reproduced but because of its scurrilous message for a darling of the bourgeoisie.
Yes, thanks. Although I was just thinking of artists who explore themes like the crisis in originality or the commodification of art by photographing earlier photographs, as is, such as Sherrie Levine’s series after Walker Evans. Thoughts? (Here is an example from the Met: http://www.metmuseum.org/art/collection/search/267209
Collages have been criticised for it endless recycling of ideas by the Situationists for one. Advertising borrows surrealist technique extensively especially the unexpected juxtaposition. As to the crisis of originality that is a big question. Originality is quite a modern conception though, unknown in the Middle Ages or the early modern period.
Right, I hadn’t thought about it that way, but certainly when you look at pilgrimage and the reproduction of relics, in Buddhism especially, the “original” doesn’t apply the way it does now. Good point.
If you look at say Sir Thomas Mallory version of La Morte D’Arthur a lot taken from previous versions wholesale.Originality only gained force in around 18th century.
Right, and in painters’ workshops, copying the ‘master’ was part of the apprenticeship as was working on certain areas and leaving others to be finished by the master of the shop; it is part of art history becoming a formal discipline, in the 19th c, along with connoisseurship / authentication for collections and museums… Interesting, something I haven’t thought about much, take for granted and forget. I am enjoying your blog and followers’ posts, too. Thanks, Mr. Cake.
I guess I mean by thoughts, anything, but also it occurred to me thinking about juxtaposition as a strategy: how an image’s meaning can change completely once out of the hands of the author / artist and appropriated or re-used by someone else–maybe I am seeing a connection where there is none. Just curious.
This is fantastic. Norman Bates keeps running through my head, regardless, the artwork of Joseph Cornell is terrific. This untitled piece is so beautifully fragile and filled with the feelings of vulnerability (blue-violet), I also want to mention, it’s gorgeous. The rough edges are amazing adding so much to the vibe of the piece, and important. Wonderful post Mr. Cake, thank you.
~ Miss Cranes
Beautiful collage, and fascinating background as usual. Would love to see those shadow boxes.
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I intended to post about them but then I saw this and got sidetracked, I need to focus more. Ah well, someday soon I will write about them.
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I love those shadow boxes and how he uses the every-day found object / image, but also at times references art history (“the canon”). Here is a link to one I like, “Untitled (Medici Princess)” from 1948, in a private collection. Not an expert, I have no idea of its authenticity, (I mostly research Japanese art and 19th c expositions), but find this interesting.
(from Web Museum, photographs by Mark Harden: https://www.ibiblio.org/wm/paint/auth/cornell/cornell.medici-princess.jpg)
LikeLiked by 1 person
The Medici Slot Machine boxes is a wonderful series. His work is mysterious, beautiful and dreamy, plus I love that he just created these wonderful boxes of his own accord and fashioned a personal mythology. I am worried now as you are an expert that you will come across my one post on Japanese art (I now very little about it but it tries in with some posts on decadence). Thank you for the comments and support
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Sorry, I thought I was editing, you can delete the second post if it is a repeat!
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It is slightly different and it’s fine. Thank you for the comments.
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Oh fun! I’ll look for your post — but no worries and no one can know everything about anything! I suspect your comments are insightful. Frankly, sometimes the “non-expert” — like my students — is likely to see something we have been “trained” away from noticing.
LikeLiked by 1 person
The Dream of the Fisherman’s Wife-Hokusai 1814Hokusai’s ukiyo-e (pictures of the floating world) woodcut design for the three volume collection of …
Dreams of Desire 26 (Pictures of the Floating World)
erotica,felicien rops,the dream of the fisherman’s wife,japanese art,octave mirbeau,anime,edo period,shunga,picasso,octupi,hokusai,ukiyo-e
https://cakeordeathsite.wordpress.com/2016/08/26/dreams-of-desire-26/
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Thank you so much for this. A nice follow-up to Mr. Cake’s piece.
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I love those shadow boxes and how he uses the every-day found object / image, but also at times references art history (“the canon”). Here is a link to one I like, “Untitled (Medici Princess)” from 1948, in a private collection. Not an expert, I have no idea of its authenticity, (I mostly research Japanese art and 19th c expositions), but find this interesting.
(from Web Museum, photographs by Mark Harden: https://www.ibiblio.org/wm/paint/auth/cornell/cornell.medici-princess.jpg) I just realized there is also a “Medici Boy” https://www.wikiart.org/en/joseph-cornell/untitled-medici-princess-1948. Thanks so much for your post, it’s interesting to read about how the novel was such a catalyst for him.
LikeLiked by 1 person
Max Ernst did several collage novels, they have been seen as precursors to the modern day graphic novel. Ernst used Victorian illustrations for his collages to startling effect.
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Thanks, I had no idea. Very interesting, I’ll look into it. Are you an art historian? From your writing I imagine you could be, but may be in literature.
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No, not an art historian or literature professor, I actually left school at 16. I really like art and literature among other things and I am a mine of useless information. Plus I love the surrealists.
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You have to tell me if my information is inaccurate or downright wrong.
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Not at all–not from what I saw, for sure. Are there other posts referring to Japan?
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No, I like Japanese art but I try not to stray too far from my central theme which is Surrealism, the influences on Surrealism i.e. Symbolism/Decadence and Modernism. Well apart from my own fiction/poetry. It is a big enough topic without covering areas which I am unfamiliar with. Oh actually I did a post on a Japanese Surrealist and I think I mentioned Mishima in a story.
LikeLiked by 1 person
Untitled-Kansuke Yamamoto 1950This arrestingly erotic image from the Japanese photographer Kansuke Yamamoto shows that, far from being a purely …
Dreams of Desire 27 (Super-imposed)
non-conformity,nude,rebellion,erotic,sensual,surrealism,tokko,kansuke yamamoto,photography,japan
https://cakeordeathsite.wordpress.com/2016/08/26/dreams-of-desire-27/
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Well, you write such interesting posts so well, it rather proves a theory of mine: sometimes vocation destroys the joy of an avocation. I just read #26, the Fisherman’s Wife — again, thanks for the information–I had not realized Picasso made a version. I’ll be sure to show that next time around I teach about Japanese prints’ impact in Europe. (not useless information!) A friend of mine wrote her dissertation on the shell divers (“ama”) — it was a while back, but I think she talked about the fetishization of them / their occupation. I’ll take a look and send you a link if you like.
LikeLiked by 1 person
Yes please. I don’t really know much about Japanese art and the image is certainly striking to have come from that period. I do know a bit about about the perception of the Far East in late 19th literature which images like this would have fed.
LikeLiked by 1 person
My friend, Bethany Grenald, studied anthropology at Univ of Michigan where I studied art history and we had a few seminars together. Here is a link to an informal essay she wrote about her time learning to dive with the women. Near the end she mentions sexual activity / associations briefly, but I am pretty sure she wrote more about this elsewhere. https://deepblue.lib.umich.edu/bitstream/handle/2027.42/61006/3002.pdf.txt;jsessionid=F830EF43B3007E90A8DDB4355217E6C1?sequence=3
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Thank you this was very informative, especially as it tells how using ama to get around censorship in the name of realism.
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She mentions the same print, too. She probably published more academic work, but I am not sure where. We are still in touch if you want to know more and don’t find it easily.
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Thank you very much.
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A nice variation on your series. This is lovely. And an interesting (almost heartbreaking/heartwarming) story of the artist. I hope you write about the shadow boxes, too.
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Thank you, I try to keep it fresh yet cohesive. I will write about the shadow boxes, that will be a long post so be patient.
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I have a couple of questions about collage too…
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Go on, I will try to help though I am no expert.
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You mentioned Joseph cutting and pasting with a pot of glue to create his art. How much of that could an artist do before the original artist (say the photographer who created the image for a magazine) would be upset about it. Or for example in the case of the girl with the braid, did Cornell need permission to use the ‘girl with the braid’ or is it his own photo?
LikeLiked by 1 person
Hmmm good questions…Max Ernst used illustrations from Victorian fictions so copyright was probably not an issue. I do not think this was a photo taken by Joseph (doubtful considering his extreme shyness and the reverence that he shown towards women), he scoured five and dime stores and secondhand shops for images to go into his collages and later boxes. He would often buy a book just to cut out an image. Copyright never seemed to be an issue that I know of. The juxtaposition is the thing with collage, taking an image and giving it a radical new meaning ( that is best case scenario, of course.) Surrealism has been frequently criticised for its use of collage, as it is a means of endlessly recycling worn out and tired ideas and is ripe for recuperation in the Situationist sense.
LikeLiked by 2 people
Ok, I wondered. The less ‘in tact’ an image reused, the better, I’m sure. Like taking just an eye or an arm or leg, for example. It’s an interesting approach to creating, recreating. Thanks for the explanation.
LikeLiked by 1 person
Well Marcel Duchamp took a reproduction whole of the Mona Lisa, drew a moustache on her labelled it L.H.O.O. Q ( she has a hot ass). It caused controversy but not about copyright, after all it was mass reproduced but because of its scurrilous message for a darling of the bourgeoisie.
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Ha! I love it! That’s great!
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It was a major Dada provocation.
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Also. I sent Fate.
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Yes, thanks. Although I was just thinking of artists who explore themes like the crisis in originality or the commodification of art by photographing earlier photographs, as is, such as Sherrie Levine’s series after Walker Evans. Thoughts? (Here is an example from the Met: http://www.metmuseum.org/art/collection/search/267209
LikeLiked by 1 person
Collages have been criticised for it endless recycling of ideas by the Situationists for one. Advertising borrows surrealist technique extensively especially the unexpected juxtaposition. As to the crisis of originality that is a big question. Originality is quite a modern conception though, unknown in the Middle Ages or the early modern period.
LikeLiked by 1 person
Right, I hadn’t thought about it that way, but certainly when you look at pilgrimage and the reproduction of relics, in Buddhism especially, the “original” doesn’t apply the way it does now. Good point.
LikeLiked by 1 person
If you look at say Sir Thomas Mallory version of La Morte D’Arthur a lot taken from previous versions wholesale.Originality only gained force in around 18th century.
LikeLiked by 1 person
Right, and in painters’ workshops, copying the ‘master’ was part of the apprenticeship as was working on certain areas and leaving others to be finished by the master of the shop; it is part of art history becoming a formal discipline, in the 19th c, along with connoisseurship / authentication for collections and museums… Interesting, something I haven’t thought about much, take for granted and forget. I am enjoying your blog and followers’ posts, too. Thanks, Mr. Cake.
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Thank you for your comments and the support, it makes me think and gives me more ideas which is excellent.
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I guess I mean by thoughts, anything, but also it occurred to me thinking about juxtaposition as a strategy: how an image’s meaning can change completely once out of the hands of the author / artist and appropriated or re-used by someone else–maybe I am seeing a connection where there is none. Just curious.
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This is fantastic. Norman Bates keeps running through my head, regardless, the artwork of Joseph Cornell is terrific. This untitled piece is so beautifully fragile and filled with the feelings of vulnerability (blue-violet), I also want to mention, it’s gorgeous. The rough edges are amazing adding so much to the vibe of the piece, and important. Wonderful post Mr. Cake, thank you.
~ Miss Cranes
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