As a young girl the British surrealist Eileen Agar travelled from her birthplace of Buenos Aires to England on a luxury liner accompanied by a cow and an orchestra. Her wealthy American mother believed that milk and music were essential in a child’s development and therefore had made the necessary arrangements so that she wasn’t deprived of them on the long ocean voyage.
After such a childhood it is no surprise that Eileen Agar belonged to the Surrealist movement. She had first met Andre Breton with her future husband, the Hungarian Jewish writer Joseph Bard in Paris in 1928 and was a member of the London Group from 1934.She was the only British woman artist to be featured in the International Surrealist Exhibition at the New Burlington Galleries in 1936 ( see John Deth) where she had a total of three paintings and five objects displayed. She had a passionate affair with the Surrealist artist Paul Nash and holidayed with Picasso, Dora Maar, Roland Penrose, Lee Miller (who photographed her several times, see Surrealist Women: Lee Miller), Nusch Eluard and the poet Paul Eluard, with whom she had a brief and intense fling with.
As well as being a painter, Agar experimented successfully with collages, ready-made and found objects; and was also a photographer, hat-maker and a writer. She exhibited with the Surrealists in New York, Amsterdam and Tokyo as well as having numerous one-women shows in the U.K. She published her autobiography A Look At My Life at the age of 89 in 1988. She died in 1991 at the age of 91.
Below is her masterpiece The Autobiography Of An Embryo from 1933-1934, which was acquired by the Tate Gallery for its permanent collection in 1989.