
Edward Burra frequently exhibited with the Surrealists during the late 30’s, including at the sensational International Surrealist Exhibition held at London’s New Burlington Galleries, which famously featured Salvador Dali attempting to give a lecture in an old-fashioned deep sea diving-suit while holding two hounds on a leash and having to be rescued from suffocation and death by the poet David Gascoyne.
Burra’s John Deth is a lurid phantasmagoria that displays in full the strong macabre streak that ran through his paintings. Skeletons were a frequent motif, sometimes used to comic effect, sometimes with darker intent.
Conrad Aiken was the American poet who was the mentor to the novelist Malcolm Lowry, whose masterpiece Under the Volcano tell the story of Geoffrey Firmin, the alcoholic British Consul to Quauhnahuac, a small Mexican town, on the Day of the Dead. Filled with occult allusions and symbolism, the hallucinatory Under the Volcano is one of the great modernist novels of the 20th century.
Wonderful to see Burra here. His work, always experimental and evolving, never abandoned such historically established artistic principles such as correct perspective, tonality and colour balance. This made him unfashionable during the turmoil of mid- late C20th modernism. But Burra was not driven by fashion just his integrity and joy for life and humanity.
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This one was for you as you introduced him to me. Glad you enjoyed. Also he fits perfectly here as most of the artists featured are figurative paintings.
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A wild circus of a painting. I love these works with lots of little things to examine. A great introduction, Cake. Thank you.
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It is a wild circus, very good description. Do you know more about inter war avant garde art than you ever thought you would know now?
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I do! What a boon for me!
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It also reminds me in Ensor Belgian Second Coming, I am going to re post that as they go well together.
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Good choice, if I remember correctly. Plus we can make fun of Belgium again, if you want.
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That never gets old.
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By the way, I’ve been making use of my ‘Big Book of Man Ray’ – I just posted a sketch….
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Such fabulous characters! I can just picture Dali, ha-ha! The painting is fantastic with its strong red and blue. Great theme, Day of the Dead is captured so well, not disturbing, just creepy and surreal. Very interesting Mr. Cake. ~ Miss Cranes
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Thank you very much Miss Cranes the colours are vibrant and you are right, it is creepy and surreal yet not disturbing.
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You’re welcome. I think the use of the strong use of primary colors creates a weirdness in itself, which works marvelously in this instance.
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It does, I may do a brief series at some point on the influence of surrealism on British art on the interwar period, but I am working on another series for the moment.
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I hope you do.
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Did you see my post on Ensor?
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Yes, just reading it now. I see the theme. at least what I believe to be a theme.
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You know I like to have my posts thematically linked in groups.
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Indeed, I do. I hope my mind has identified it correctly, I want to believe so.
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You have, but my series is a bit of a detour from my usual posts (though with some connection). I soon be posting the first in the series.
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The connection is there, for sure. Do you really think it is such a departure from your genre? Looking forward to the first in your next series.
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Sorry crossed wires, the next series which I just post the first one of is connected but a slight departure. It’s about the Scandinavian origins of modernism, Hamsun, Strindberg, Munch and Kierkegaard. Wow that’s really guaranteed a massive audience.
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Wonderful humor, timing it perfectly!
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Timing is everything
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Mr. Cake, I see you have a new post up. I will be back in a bit to read it. As always, I’m looking forward to it.
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Thank you Miss Cranes… the Scandinavian posts are going to be quite long so I may alternate with a series in Goya’s Black Paintings as well as the English Surrealists. Too many series?
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You’re welcome. No, not at all, by all means alternate if you like.
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I will, actually already have. If only I could focus on one thing.
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Another great painting. The Día de los Muertos certainly runs through this as a central theme. The embracing of death: does it make it easier to face? “But if it’s a law, and not a penalty, why lament it?” Quevedo: rough translation.
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‘Of all the things accursed with an evil nature, Death is the most innocent’. Jeremy Taylor—Holy Dying. If it is easier to face, that Roger I am afraid nobody knows.
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Great artist! I might feature him on my blog explarts.wordpress.com next month.
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He is an excellent artist. I look forward to reading your post
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