A highly fetishistic portrait by the master Surrealist photographer Man Ray who in his work makes everything appear fetishistic. Portrait Through Wire first appeared in Le Surrealisme au service de la Revolution in July 1930. The wire enmeshes the body, hands (always important for Man Ray) and face is suggestive of an all over silk stocking and renders the model alluringly exotic and other. However the sadness in the eyes with their mute appeal makes us aware that the wire is also a physical barrier behind which she is trapped. Her inaccessibility paradoxically increases her erotic appeal.